Unleashing the Power of Music: Unveiling the Supreme Performance of Focusrite Scarlett 2i2 (Gen 4)

Key Takeaways

Enhanced with upgraded converters and handy functionalities such as auto-gain, the Focusrite Scarlett 2i2 Gen 4 stands as an exceptional audio interface, ideal for both individual musicians and content producers.

The interface boasts a sturdy construction and a recognizable red design. The front panel controls are user-friendly, allowing for effortless adjustment of input levels, activation of phantom power, and activation of Air modes.

Nonetheless, musicians who utilize electronic instruments or collaborate with others may find the absence of MIDI ports and the limited monitor mixing capabilities to be disadvantages. It is advised to explore alternative options such as the Universal Audio Volt 2 prior to making a final decision.

While rooted in the historic Neve brand, Focusrite has gained widespread recognition for producing reliable and affordable audio interfaces over the years. With a recent overhaul of its popular Scarlett line, the Focusrite Scarlett 2i2 Gen 4 emerges as an ideal choice for solo artists and aspiring podcasters.

Although the overall appearance has undergone slight changes compared to the previous generation, it is the addition of new features that truly enhance the interface. Alongside the renowned preamps and user-friendly interface that Focusrite is known for, the latest model boasts improved analog to digital converters and an auto-gain feature, simplifying the process of achieving the perfect recording.

The Focusrite Scarlett 2i2 has long been a leading player in the entry-level audio interface market. However, it's important to note that other companies have also entered this competitive arena. So, how does the new and improved 2i2 measure up against offerings from Universal Audio and other contenders? While the answer is not straightforward, the Focusrite Scarlett 2i2 remains a top choice for solo artists and content creators, showcasing its status as one of the finest audio interfaces available.

The fourth-generation Focusrite Scarlett 2i2 audio interface offers improved converters and user-friendly features like auto-gain. If you don't require additional features offered by other interfaces, the superior sound quality of this interface makes it an excellent choice.

Manufacturer: Focusrite

Type: Audio Interface

Color: Red

Compatibility: PC, Mac

Phone Output: Yes

Connectivity: XLR and 1/4-inch stereo inputs, stereo 1/4-inch outputs

Pros: Exceptional sound quality

Auto-gain and Clip Safe make recording easy

Front panel controls are useful

Powerful, good-sounding headphone amplifier

Competitors are catching up quickly

Cons No MIDI connectivity

More for musicians than podcasters and content creators

See at Focusrite

Design and Build Quality

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Focusrite has long established a strong brand identity with the color red, extending from its premium Red and RedNet series designed for professional studio applications to its more budget-friendly offerings. Rest assured, the Scarlett 2i2 Gen 4 stays true to this tradition, as evidenced by its name and accompanying visuals.

I have not used previous 2i2 models, but I have experience with the Scarlett Solo and the higher-end Clarett 4Pre and Claret 8Pre interfaces from the same company. The Scarlett 2i2 has more plastic components, but it still feels solid and sturdy overall.

If you are accustomed to other interfaces, you may find the new endless rotary encoder knobs for the two mic/line inputs to be different. In the past, these knobs were standard, but now with Focusrite's new Auto-Gain feature, the software controls the response of these knobs instead of being limited by hardware constraints.

Simple Connectivity For Your Home Studio

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The front panel of Focusrite's newer model may appear unfamiliar if you're accustomed to their previous Scarlett 2i2 models. In the past, there was a combination XLR/1/4-inch TRS jack on the front, but now there are simply two TRS connectors. However, do not worry because there are still two XLR inputs, which are now positioned on the back. These join the stereo output pair of 1/4-inch TRS jacks that are present on every Scarlett 2i2 model. The move from a two-jack to a four-jack design may initially seem perplexing, but it allowed Focusrite to include more controls on the front of the unit. In contrast to adjusting these parameters in software, the newer model is much easier to fine-tune in real-time. Instead of having to switch between line or instrument modes through software like certain older Focusrite models, all of these adjustments can now be conveniently made from the front panel.

One deficiency that stands out is the absence of MIDI ports on the rear of the interface. This may not be a concern for podcasters or other content creators, but it unnecessarily complicates the use of electronic instruments. If the combination jacks were placed on the front, sufficient space could have been allocated for MIDI connectors on the back, similar to what can be found on competitors like the Universal Audio Volt 2.

Recording With the Scarlet 2i2 Gen 4

One noteworthy improvement made in this current iteration of Focusrite's Scarlett interface concerns the converters, responsible for both analog-to-digital and digital-to-analog signal conversion. Although the converters in prior models were satisfactory, the latest generation now features converters inspired by Focusrite's top-of-the-line RedNet audio interfaces used in professional studio settings.

The converters in these interfaces can handle up to 24-bit / 96kHz and provide an impressive dynamic range of up to 120dB. This level of resolution is definitely sufficient for artists working from home, as well as for those using the interface for streaming, podcasting, or other content creation purposes.

In contrast to even more expensive Focusrite interfaces, the majority of the controls are conveniently located on the front panel. This means that you can easily adjust the gain levels for each input, enable phantom power, direct monitoring, and activate the Air modes on either channel without having to access the software.

In contrast to the previous line of Scarlett interfaces, the fourth generation introduces two Air modes. The first Air mode is reminiscent of Focusrite's earlier versions, providing a subtle boost to higher frequencies to enhance the presence of vocals and similar sources. The second Air mode functions similarly but incorporates a touch of harmonic saturation, akin to the "vintage" emulation modes found on certain interfaces such as the Universal Audio Volt 2.

Furthermore, the fourth-generation Scarlett interfaces are equipped with Auto-Gain, a feature that automatically adjusts input levels to ensure optimal recording levels. Additionally, the new Clip Safe feature automatically reduces input levels to prevent audio distortion.

Playback and Monitoring

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The playback section of the Scarlett 2i2 is straightforward, with simple connectivity options. It features a pair of speaker outputs and a headphone jack on the front. The speaker outputs utilize 1/4-inch connectors, suitable for studio monitors. However, if needed, they can be converted to RCA or stripped wire connections. Keep in mind that this is a passive interface, so an amplifier or powered speakers are required.

The built-in headphone amp is worth mentioning. While I typically associate this feature with higher-end audio interfaces like the Focusrite Clarett 8Pre, it's impressive to see it included in a more affordable option like the Scarlett 2i2. The headphone amp has no problem powering headphones like the Sennheiser HD650, providing ample volume. Additionally, the bass response and especially the high-frequency clarity exceeded my expectations.

Thanks to the front panel button, you can activate direct monitoring. This feature allows your input signal to pass directly through to your headphones or speakers. However, attempting to modify any other element of the monitor mix becomes a source of frustration.

Bundled Software: Everything You Need to Make Music

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Contrary to the Focusrite Vocaster One, the Scarlett 2i2 is specifically designed for musicians, producers, and music enthusiasts. It offers a comprehensive set of software tools, indicating the company's intention to cater to this target audience. Notably, it includes Ableton Live Lite, an introductory edition of the renowned digital audio workstation (DAW), along with a packaged collection of music software known as the Hitmaker Expansion.

Including a range of software specifically designed for vocals, this package is ideal for aspiring musicians and producers. Notably, it features Antares Auto-Tune Access, a user-friendly vocal tuner that is not found in any other interface. Additionally, you will receive Focusrite's Red 2 & 3 Plug-in Suite, which may appear to be basic compressor and equalizer tools, but I have personally used them throughout the years and still rely on them, despite having access to more expensive options.

For producers or individuals who work on their own, the other software included is perfectly suited for you. This includes Native Instruments' Massive software synth, which although slightly outdated, has been utilized in numerous chart-topping hits. Furthermore, XLN Audio's Addictive Keys and Addictive Drums are included, providing everything you need to enhance your productions.

Should You Buy the Focusrite Scarlett 2i2?

The impressive sound quality of Focusrite's Scarlett line remains consistent, even when compared to more expensive models from the same brand. The Focusrite Scarlett 2i2 Gen 4 is no exception, delivering remarkable sound performance that surpasses its price tag. While it may not be as ideally suited for podcasting as previous models, it's important to note that Focusrite offers a dedicated podcasting line in its Vocaster series.

The fourth-generation Scarlett 2i2 is an excellent interface overall, but it does have some drawbacks. The lack of MIDI support makes it difficult to recommend for those using synthesizers, drum machines, or other instruments that require precise synchronization for optimal performance. Additionally, the limited monitor mixing options make working with multiple people more challenging.

However, the Focusrite Scarlett 2i2 maintains its reputation as a top-notch audio interface, and the company continues to innovate. It's important to note that there are other options available, such as the Universal Audio Volt 2, so it's worth considering your specific needs and exploring different interfaces before making a final decision.

The Focusrite Scarlett 2i2, now in its fourth generation, offers improved converters and user-friendly features such as auto-gain. With its exceptional sonic performance, this interface is an excellent choice, especially for those who do not require additional features provided by other interfaces.

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