Dakota Johnson, the star of Madame Web, has opened up about her feelings regarding the movie and its poor reception. While the Marvel Cinematic Universe is succeeding with Tom Holland's Spider-Man, Sony's Spider-Man Universe has been releasing disappointing films. Unfortunately, Madame Web received negative reviews and performed poorly at the box office, failing to attract an audience.
In an interview with Bustle, Johnson shared that she does not see herself making another movie like Madame Web in the future. Reflecting on her experience working on the film, she admitted, "I don’t make sense in that world. And I know that now." Due to the criticism and lackluster response to Madame Web, it is unlikely that a sequel will be made. Johnson appears to be accepting of this, acknowledging the movie's flaws and the feedback it has received.
Dakota Johnson's Reflection on Making Madame Web
It was quite an experience for me to work on that movie. It was a new challenge for me, something I had never tried before. I don't think I will venture into that kind of project again because it just doesn't feel like the right fit for me. This industry can surprise you sometimes - what you sign up for may turn out to be completely different as you work on it. It was a valuable learning opportunity, even though it was tough to see the project receive so much criticism. But I can see where it's coming from.
The SSU Movie Broke Negative Records
Cassandra Webb (Dakota Johnson) looking at a spider web in Madame Web trailer - The SSU Movie Broke Negative Records - Dakota Johnson Explains Why Madame Web Has Been So Negatively Received
Johnson expressed disappointment in being part of a movie like Madame Web, which received harsh criticism. She explained during an interview why the film was negatively received. When asked about how she handles bad reviews, Johnson admitted that she wasn't surprised by the negative reception.
The actress went on to discuss how big movies are often influenced by committees, which can negatively impact the artistic process. Johnson believes that audiences can see through marketing tactics that don't accurately represent the final product. This ties into Madame Web's promotion, which hinted at the presence of four Spider-Man-like heroines but only featured them briefly.
It's becoming increasingly difficult to get movies made these days. Big-budget films, and even smaller ones, are now often subject to decisions made by committees. However, art doesn't thrive when created by a group of people. Films should be crafted by a filmmaker and their team of artists, not based on numbers and algorithms. I believe that audiences are intelligent and can easily spot inauthenticity.
Madame Web has set negative records within the SSU and among Spider-Man-related movies. From box office numbers to reviews, the film has cast a shadow over the entire universe. Following the heavy criticism of Morbius, the even poorer performance of Madame Web should raise concerns about the future of the SSU. With Kraven the Hunter and Venom 3 still on track for release in 2024, the failure of Madame Web may have a lasting negative impact on audiences' perception of the SSU.
Source: Bustle
Editor's P/S:
Dakota Johnson's candid reflections on her experience with "Madame Web" offer a sobering perspective on the challenges facing the Sony Spider-Man Universe. Her acknowledgement of the film's flaws and her decision to distance herself from similar projects in the future raise questions about the SSU's direction and its ability to compete with the Marvel Cinematic Universe. Johnson's comments highlight the importance of artistic integrity and audience expectations in the creation of successful films.
The underperformance of "Madame Web" serves as a cautionary tale for studios seeking to capitalize on popular franchises without fully understanding their appeal. The film's reliance on committee-driven decision-making and misleading marketing tactics alienated audiences who felt misled and disappointed. Johnson's experience underscores the need for filmmakers to maintain creative control and prioritize authenticity over box office numbers. As the SSU continues to develop, it must learn from the mistakes of "Madame Web" and strive to deliver films that resonate with audiences on a genuine level.