In Blumhouse's latest horror film, "Imaginary," Jessica discovers the dangers of leaving behind an imaginary friend. Returning to her childhood home as an adult, Jessica (played by DeWanda Wise) finds her old teddy bear, Chauncy, which her stepdaughter Alice becomes attached to. Initially heartwarming, Jessica becomes suspicious as Chauncy and Alice's games take a darker turn, making her question the true nature of the bear she left behind.
Director Jeff Wadlow, known for "Truth or Dare" and "Fantasy Island," collaborates once again with horror veteran Jason Blum to bring a chilling twist to the concept of an imaginary friend. Wise leads an exceptional cast in this terrifying story, alongside Pyper Braun as Alice, Tom Payne as Max, Betty Buckley as Gloria, Taegen Burns as Taylor, Matthew Sato as Liam, and Verónica Falcón as Dr. Alana Soto.
Jason Blum Was Looking For Another Horror Movie For Younger Audiences With Imaginary
In Screen Rant's interview with horror behemoth Jason Blum and director Jeff Wadlow, the pair discussed what Blum was looking for in the new horror movie and how that set Wadlow down the path to Imaginary. Blum kept details about the Five Nights At Freddy's sequel close to the vest, while Wadlow shared how two ideas merged and what inspired the terrifying Never Ever space in the movie.
Pyper Braun as Alice with Chauncey the teddy bear in Imaginary Blumhouse - Jason Blum Was Looking For Another Horror Movie For Younger Audiences With Imaginary
Screen Rant: I loved Imaginary. Here's the deal. Psychological thriller mixed with childhood trauma is like the perfect mix, right?
Jeff Wadlow: Perfect for everyone. Who wouldn't love that?
It's a wonderful way for young people to dip their toes into the world of horror. It's simply amazing. Jason, can you share how the idea for Imaginary first landed on your desk?
Jason Blum: We had two great experiences with Jeff. One on Fantasy Island and one on Truth or Dare, and we were trying to figure out what our next movie should be. And he said, "What do you really want?" And I said, "We've done The Purge, we've done Halloween, I'd like to do something more supernatural, super scary, and maybe for... It skews a little bit younger." And Jeff did the rest, right?
Jeff Wadlow: Yeah. I just wanted to make a movie about an imaginary friend. I loved the idea of playing with subjectivity in cinema. And so I just signed a first look deal with Jason. So I was talking to other writers trying to find people I could collaborate with, and Greg Erb and Jason Oremland, who are old friends of mine, came in, and they pitched me this idea of an evil teddy bear. And I felt, "That's not enough for a movie. My imaginary friend thing isn't enough for a movie. What if we combine them?" And we delivered a script for Imaginary with Jason. He said, "Let's make it."
That's amazing! The Never Ever brings back memories of a childhood dream I had about a thrilling and mysterious place. Can you share with me how you created that set and used practical effects to bring it to life? I believe that using practical effects really enhances the movie. Could you elaborate on that?
Jeff Wadlow: The concept of the Never Ever went through several iterations in the script. Initially, it was just going to be a hallway with 10 doors, similar to The Further in the Insidious films. However, with the help of our talented production designer Meghan Rogers, we aimed for a design inspired by MC Escher, creating an endless maze of hallways.
Jason Blum Remains Tight-Lipped About Five Nights At Freddy's Sequel
Have you ever been in those never-ending hotel hallways in Vegas that seem terrifying? That's the kind of feeling I wanted to create. Imagine the potential for a monster to come out from any door. The more doors, the more potential scares. Our set design ended up being more expensive than we could afford, but our production team pulled it off brilliantly.
Bonnie, Freddy and Chica stare down at the camera in Five Nights at Freddy's - Jason Blum Remains Tight-Lipped About Five Nights At Freddy's Sequel
Wow, that's amazing! I believe Five Nights at Freddy's serves as a great introduction to the horror genre for a younger audience. Do you have any news on the sequel for Five Nights at Freddy's?
Jason Blum: Are you thinking I'm not paying attention, like you're just going to get me to...
Wait. Is this guy moving behind you? I was freaking out.
Jason Blum: I don't know.
Jeff Wadlow: Or did you imagine it?
Did I imagine it? What's going on?
Jeff Wadlow: I think you might've.
Jason Blum: No update, but I certainly hope to see one, like all the other fans.
About Imaginary
Chauncey the teddy bear in Imaginary Blumhouse - About Imaginary
Jessica (DeWanda Wise) moves back to her childhood home with her family. Her youngest stepdaughter Alice (Pyper Braun) discovers a stuffed bear named Chauncey in the basement and becomes strangely attached to it. As Alice plays games with Chauncey, the fun turns into something more unsettling.
Check out our other Imaginary interviews here:
DeWanda Wise
Pyper Braun & Taegen Burns
Imaginary hits theaters on March 8.
Source: Screen Rant Plus
Editor's P/S:
This article provides an intriguing glimpse into the upcoming horror film "Imaginary," showcasing the collaboration between Blumhouse and director Jeff Wadlow. The concept of an imaginary friend turning sinister is a fascinating and terrifying premise that promises a chilling cinematic experience. The interview with Jason Blum and Wadlow sheds light on the inspiration behind the film, particularly Blum's desire for a supernatural horror that appeals to a younger audience. The discussion about the creation of the "Never Ever" set using practical effects highlights the filmmakers' commitment to creating an immersive and unsettling atmosphere.
Overall, the article effectively builds anticipation for "Imaginary" by exploring its unique premise and the creative process behind it. It leaves readers eager to witness the psychological thriller and childhood trauma unfold on the big screen. The inclusion of additional interviews with cast members provides a well-rounded perspective on the film's themes and characters.