2013’s The World’s End concluded director Edgar Wright’s famous Cornetto trilogy, but it stands out from the earlier films for one major reason. The trilogy kicked off in 2004 with Shaun of the Dead, a zombie comedy that balanced humor with heartfelt moments. Simon Pegg and Nick Frost played lovable slackers who must come up with a plan when faced with a zombie apocalypse. Their on-screen chemistry, along with Wright’s direction, made the film a huge success.
The second film in the Cornetto Trilogy, Hot Fuzz, was released in 2007. This buddy cop movie follows Pegg’s skilled city cop, Nicholas Angel, as he is transferred to a quiet village. Initially frustrated, Angel forms a close friendship with Frost’s bumbling local cop and together they uncover a dark conspiracy. Both Shaun of the Dead and Hot Fuzz received critical acclaim for seamlessly blending action, comedy, and horror elements, all while showcasing the charming dynamic between Pegg and Frost.
Simon Pegg's Character Is Why The World's End Doesn't Feel Like Other Cornetto Movies
The World’s End’s antihero, Gary King, is too believably tragic
Hot Fuzz Sergeant Angel and Danny chasing a swan on a field - The World’s End’s antihero, Gary King, is too believably tragic - Simon Pegg's Character Is Why The World's End Doesn't Feel Like Other Cornetto Movies
The Cornetto trilogy concluded in 2013 with The World's End, a sci-fi comedy where a group of old friends reunite for a pub crawl only to discover that their hometown has been taken over by alien robots. Despite its unique storyline and oddly elegiac tone, The World's End remains the least popular of the trilogy's three movies. It may be hard to understand why at first, but even though it had its tragic moments, Shaun of the Dead also had its own charm.
Gary King was the reason The World’s End didn't match the success of the earlier Cornetto Trilogy movies. In this film, Pegg portrayed the initially unlikable character Gary King, similar to how Hot Fuzz's Nicholas Angel wasn't instantly lovable. However, upon closer examination, it became apparent that Gary King was the main factor behind The World’s End's failure to recreate the magic of Shaun of the Dead and Hot Fuzz. This film had a more somber tone, largely due to Gary’s character arc. While Shaun was a lazy slacker and Nicholas was overly serious, Gary King stood out as a truly toxic and tragic figure.
The World's End Was Already A Very Different Cornetto Movie
Hot Fuzz and Shaun of the Dead had a sillier, more heightened tone
Gary's opening speech in The World's End - Hot Fuzz and Shaun of the Dead had a sillier, more heightened tone - The World's End Was Already A Very Different Cornetto Movie
Both Shaun and Nicholas were characters that were easy to root for, despite their flaws. In The World's End, Gary King's struggle to get his life together was portrayed in a way that felt more sad than funny. The movie's tone shifted from a comedy to a more serious tone in the first half, resembling films like Return of the Secaucus 7 or The Big Chill.
The World’s End had a more fantastical twist compared to Shaun of the Dead or Hot Fuzz, but its character work was darker and more realistic. Unfortunately, the glossy visual style and high production values of the film did not quite fit with its small-town setting and subdued drama. Additionally, the fact that Wright, Pegg, and Frost had already become well-known Hollywood stars by the time the movie was released added to the clash. The usual Cornetto Trilogy elements were present, but the action scenes and comedic moments felt out of place in the context of the protagonist's struggle with alcoholism.
Gary King Is Partly Why The World's End Isn't As Popular As Shaun Of The Dead & Hot Fuzz
Pegg’s antihero is too tragic for the silly story of The World's End
Gary King from The World's End's Ending - Pegg’s antihero is too tragic for the silly story of The World's End - Gary King Is Partly Why The World's End Isn't As Popular As Shaun Of The Dead & Hot Fuzz
Gary King stood out as a compelling character in the movie, even though some people had mixed feelings about it. His struggle to hold on to the past and his awkward attempts to reconnect with old friends reminded audiences of beloved British comedy characters like those from The Office or Withnail and I. Gary King's journey could have been the most emotional one in the Cornetto Trilogy. However, the movie itself didn't stay grounded in reality like Gary's story did, which made the overall tone feel uncertain and disjointed.
In 2010, the underrated Hot Tub Time Machine told a story of an unlikable antihero reuniting with old friends and learning to grow up through zany sci-fi plot mechanics. Rob Corddry's character, Lou, matched the movie's silliness, creating a cult classic that never felt too raw or sad.
On the other hand, The World's End shifted between a somber tale of a once-cool has-been trying to relive his glory days and a chaotic story involving aliens, androids, and the apocalypse. This inconsistency in tone prevented The World's End from finding the right balance for the final movie in the Cornetto Trilogy.
Shaun of the Dead and The World's End can be found on various platforms for rent or purchase, while Hot Fuzz is currently available for streaming on Prime Video.
Editor's P/S:
The article explores why "The World's End," the final film in Edgar Wright's Cornetto trilogy, stands out from its predecessors. The writer argues that Simon Pegg's character, Gary King, is the primary reason for its difference, highlighting his unlikable and tragic nature. While Gary's character arc adds depth to the film, it clashes with the more lighthearted tone of the previous installments. The article also notes the shift in tone from comedy to drama, as well as the inconsistency in blending sci-fi elements with the character's struggles. Overall, the writer believes that Gary King's character undermines the success of "The World's End" compared to "Shaun of the Dead" and "Hot Fuzz."
The article provides a well-reasoned analysis of "The World's End" and its place within the Cornetto trilogy. It effectively highlights the unique aspects of Gary King's character and the impact they have on the film's overall feel. The writer's use of examples and comparisons to other films supports their arguments and makes the article engaging and informative. Readers who are interested in the Cornetto trilogy or Edgar Wright's filmography will find this article to be a valuable read.