The Unforgettable Reason Ahsoka Skillfully Outshines Obi-Wan Kenobi's Greatest Error
Ahsoka skillfully steers clear of Obi-Wan Kenobi's gravest blunder, showcasing Dave Filoni's mastery of incorporating the Volume in her compelling character development
Summary
Dave Filoni has a deep understanding of the Volume technology and knows when to use it and when to opt for traditional blue screen stages or outdoor locations in Ahsoka.
Filoni's experience with the Volume in The Mandalorian has made him wary of excessive use, resulting in a balanced approach in Ahsoka.
Filoni's expertise in deploying the Volume, blue screen stages, and outdoor locations in Ahsoka has resulted in a visually breathtaking series that is on par with the aesthetics of the Star Wars films.
Ahsoka has managed to avoid a mistake that Obi-Wan Kenobi made, which is attributed to the use of a technology called the Volume. The Volume is a 360-degree LED screen stage with a matching ceiling, and it was first introduced in The Mandalorian. Despite its groundbreaking nature, the technology had certain limitations that affected scenes in Obi-Wan Kenobi, particularly the ones set in outdoor locations, which ended up looking confined. However, Ahsoka, also utilizing the Volume, managed to steer clear of this mistake.
During his conversation with Cinema Blend, Dave Filoni, the writer and executive producer of Ahsoka, emphasized his caution regarding the usage of the Volume.
Having had the opportunity to be involved from the very beginning with the Volume, and having experienced its capabilities alongside my team, I am able to discern its effectiveness in specific circumstances. There are instances where it is absolutely advantageous to utilize it, while there are situations where a traditional stage with blue screen is preferable. In some cases, venturing outdoors is the best choice. The key lies in understanding and relying on one's team to determine the optimal time for its application.
Dave Filoni Knows How To Use The Volume In Ahsoka
Understanding the Volume technology for Ahsoka, as well as his upcoming "Mandoverse" film, was greatly addressed by the posed question. Filoni specifically acknowledges his ability to discern when a scene necessitates a traditional blue screen stage or an outdoor location in contrast to the LED build of the Volume. This understanding has already been evident in the first and second episodes of Ahsoka.
After witnessing the remarkable success of using this technology in The Mandalorian season 1, Filoni became well-versed in its capabilities. By exercising caution and not relying too heavily on it, he successfully completed two additional seasons of The Mandalorian and The Book of Boba Fett before taking charge of its implementation in Ahsoka. In contrast, the team working on Obi-Wan Kenobi lacked the same level of familiarity with the technology, resulting in limitations for their project.
Filoni has showcased his skill in seamlessly balancing the Volume, blue screen stages, and outdoor locations for Ahsoka, which bodes well for future episodes of the series. With several unexplored locations in the latest Star Wars series, viewers can anticipate breathtaking glimpses of both familiar and unfamiliar parts of the galaxy. Ahsoka's visual style has already drawn comparisons to the Star Wars films, thanks to Filoni's masterful ability to find his own creative equilibrium.
