Quentin Tarantino has officially stated that he will not be producing another movie in the Kill Bill franchise. Despite the continued interest in a potential third installment, Tarantino has confirmed in an interview with De Morgen that Kill Bill: Volume 3 will not be happening. This decision aligns with Tarantino's previous announcement that The Movie Critic will be his final and tenth film, effectively putting an end to rumors and speculation about the expansion of the Kill Bill series into a trilogy. Tarantino's response can be found below.
“I don’t see that. My last film is about a film critic, a male critic. And he plays in the 70s.”
Why The Movie Critic Is A Better Final Film For Tarantino Than Kill Bill: Volume 3
Tarantino's filmography has been marked by his ability to create groundbreaking and shocking movies that manage to captivate a wide audience. Pulp Fiction, Reservoir Dogs, Inglorious Basterds, Django Unchained, and the Kill Bill films have all been hailed for their audacity and ability to maintain Tarantino's unique blend of dark humor, deliberate pacing, and over-the-top violence. While his final project is expected to bear some resemblance to his previous works, it should also possess a distinctive quality to avoid the risk of being perceived as repetitive or derivative. A continuation of Kill Bill, such as a Volume 3, might potentially fall into this trap by treading familiar ground already explored by Tarantino.
He has already dedicated more films to the Kill Bill story than any other project. Though it's a two-part series, it tells a cohesive tale, even having a single film version called Kill Bill: The Whole Bloody Affair. Discussions of Kill Bill: Volume 3 centered around Nikki, Vernita Green's now-grown daughter, seeking vengeance after Beatrix killed Vernita and left young Nikki with her mother's body. Beatrix's revenge story is complete, and there's no need to involve her or her family in another tale of vengeance.
What is known about Tarantino's The Movie Critic suggests it's unique compared to his previous works, making it a captivating choice to conclude his remarkable career. It appears to be less violent and features a protagonist who is more contemplative than those in his other movies. This represents a different type of boldness and surprise, while allowing Tarantino to reflect on his time in the film industry. It is a more fitting path than Tarantino abruptly resurrecting a popular franchise at the expense of Kill Bill.
Source: De Morgen