Summary
Oppenheimer director Christopher Nolan explains the chilling victory speech scene and its reflection of consequences and guilt.
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The sound design and visual images in the scene effectively bring out Oppenheimer's remorse over the devastation caused by the bombings of Hiroshima and Nagasaki. Additionally, his aversion to the hydrogen bomb and the haunting portrayals of nuclear devastation that conclude the film further delve into his feelings of guilt.
Warning! Spoilers upcoming for Oppenheimer.
Christopher Nolan, the director of Oppenheimer, provides insight into the movie's most chilling scene and his unique approach to presenting it. Drawing inspiration from Kai Bird and Martin Sherwin's book American Prometheus, Nolan's recent film delves into the intriguing life and impactful career of J. Robert Oppenheimer, famously known as the "father of the atomic bomb". Though primarily a historical drama, the film includes a particularly haunting sequence reminiscent of a horror movie. In this scene, Oppenheimer, amidst visions of devastation, delivers a triumphant speech following the bombings of Hiroshima and Nagasaki.
In a recent interview with Vulture, Nolan discusses the reasons behind the eerie scene in Oppenheimer. This scene was intentionally designed to mirror the Trinity Test sequence, with the crowd's sound gradually intensifying to resemble an atomic explosion. Editor Jennifer Lane describes this scene as a darker parallel to Trinity, in terms of sound editing. Read Nolan's complete statement below:
"The film revolves around the concept of consequences. It explores the delayed repercussions that people often overlook. Throughout the movie, we portray various manifestations of this theme, some in a visceral manner and others through storytelling."
Oppenheimer's Visions Explained
As I delved into Oppenheimer's narrative, what I ultimately realized is that, despite never explicitly apologizing for the devastating events in Hiroshima and Nagasaki, his actions the night following the bombings were indicative of someone consumed by immense guilt and an earnest longing to reverse the consequences of his actions. Consequently, I believed it was imperative to faithfully portray my understanding of the internal anguish that he must have experienced, and how it would have outwardly manifested itself.
In the scene where Oppenheimer commemorates the successful bombings during his speech, it goes beyond the sound design to convey his feelings of guilt. Alongside delivering the address, Oppenheimer witnesses haunting visions of a young woman shedding her skin (portrayed by Nolan's own daughter). This visual representation depicts the potential devastation caused by an atomic blast on a human being. After his speech, Oppenheimer is confronted with the image of two young lovers kissing, but his visions distort their embrace into sheer terror.
Oppenheimer's profound guilt for introducing such devastating power into the world, which ultimately caused the suffering of the people in Hiroshima and Nagasaki, is further explored throughout the rest of the film. As he reflects on the potential consequences of his creation, Oppenheimer becomes a vocal opponent of developing the hydrogen bomb.
In the Oppenheimer ending, his deep-seated concerns become even more evident when he has a conversation with Albert Einstein, explicitly stating his belief that his creation will result in the annihilation of the entire planet. The film then depicts apocalyptic scenes, showcasing nuclear warheads launching and hurtling through the sky, until they finally blanket the Earth's surface in destruction. These visuals vividly convey the intensity of Oppenheimer's internal turmoil.
Source: Vulture