DC fans have diverse opinions about the studio's cinematic attempts over the past decade. While some consider them embarrassing with occasional moments of redemption, others demand the replacement of the new leadership with the old guard. The Flash is seen as the last hope for the struggling cinematic universe. However, according to critics, it fails to deliver a proper farewell or be bad enough to end it definitively.
The influence of critics on ticket sales is a topic of discussion. Rotten Tomatoes scores, although they may not directly sway audiences, are often used as ammunition in online debates. Nevertheless, for undecided viewers who are open to watching any movie, comparing critical scores can play a crucial role in their decision-making process. Critics hold the power to shape a film's legacy, and their impact remains significant.
The Flash is neither great nor terrible, according to critics
According to critics on Rotten Tomatoes, The Flash receives a mediocre rating of six out of ten. Although 70% of critics surveyed considered the film "Fresh," indicating a rating of five or higher out of ten, this is not particularly impressive for a high-budget blockbuster superhero movie that goes all out. However, the audience tends to be more forgiving, as evidenced by the film's positive audience score of 95%, keeping in mind that this score is based on pre-release anticipation. The Flash is more of a crowd-pleaser rather than a critically acclaimed masterpiece, which is evident even from just watching the trailer. Metacritic arrives at a similar conclusion, awarding the film a six out of ten score. It's worth noting that The Flash is only the third-highest-rated film according to Rotten Tomatoes, but this bar is set quite low. With the immense expectations placed upon it, an average rating of six out of ten seems disappointingly low.
A middling movie can be worse than a bad one
Batman v Superman: Dawn of Justice and The Suicide Squad are the films that have generated the most discussion within the DCEU. However, the reasons behind their conversations differ significantly. With a disappointing 29% rating on Rotten Tomatoes, Dawn of Justice is considered a catastrophic failure that epitomizes Zack Snyder's negative impact on the industry. It has managed to incite hatred from almost everyone except for Snyder's die-hard fans. Even after seven years since its theatrical release, the film stands as a striking reminder of DC's worst tendencies. On the other hand, The Suicide Squad demonstrates the influence of James Gunn, the new head of the studio. This movie is daring, distinct, chaotic, and, above all, enjoyable. Both films elicit strong and contrasting reactions, making them significant artistic pieces.
Even the most devoted supporters of Snyder can appreciate the artistic vision behind The Suicide Squad, even if they dislike it. Similarly, even the harshest critics of Zack Snyder can recognize his distinctive directorial style, even if it repulses them. However, when it comes to The Flash, the reactions are more lukewarm. Instead of receiving praise or specific criticism, the film is often described as "banal," "convoluted," and "cynical." Almost every review highlights the film's heavy reliance on nostalgia, with critics suggesting that The Flash is filled with elements that fans will remember. Whether it's enjoyable or dull, the most consistent critique is that The Flash constantly reminds audiences of other Warner Bros. properties, making it difficult for viewers to fully embrace the film on its own merits.
Warner may be setting up its DCEU ending
The end of the DCEU is imminent with James Gunn at the helm, paving the way for the DCU to take over. The Flash, however, appears to be the final gasp of the DCEU, showcasing every idea that has ever crossed a studio executive's mind. The trailer is packed with references that were previously unused or prematurely revealed on Twitter. Despite its lackluster critical response, the true tragedy behind this fallen giant is hidden. It's as if someone is spectating their own funeral, hoping to witness genuine sorrow and perhaps find a reason to come back or linger in some capacity. Yet, with the absence of genuine mourning, remaining deceased seems like the most prudent choice.
The Flash, unfortunately, falls short of being a triumphant conclusion to a convoluted film franchise. Instead of embracing the opportunity to redeem a universe plagued by pessimism and disappointment, it fails to address its shortcomings and fails to impress its audience. It seems that a mediocre rating of six out of ten is an appropriate reflection of the overall quality of a franchise that has been inconsistent at best.
