The Enthralling World of Aabria Iyengar: Unmasking the Secrets of Dimension 20, Critical Role, and Beyond

Summary

Burrow's End is a new season of Dimension 20 inspired by fantasy stories like The Secret of Nimh and Watership Down, following a family of stoats in the Blue Forest.

Aabria Iyengar has curated an incredible ensemble for this season, comprising both seasoned Dimension 20 performers and fresh faces to the show.

Incorporating a cinematic storytelling approach, Iyengar skillfully caters to both the players and audience, resulting in a one-of-a-kind and captivating journey.

In celebration of its twentieth season, Dimension 20 presents a thrilling new side quest titled Burrow's End. GMed by the talented Aabria Iyengar, this season draws inspiration from renowned fantasy stories such as The Secret of Nimh and Watership Down. Set in the enchanting Blue Forest, the narrative revolves around a stoat family who have enjoyed a peaceful existence thus far. However, their tranquility is suddenly threatened, forcing them to leave their burrow and unite against the various perils of the forest, both natural and supernatural.

Joining Iyengar in this extraordinary journey are the experienced Dimension 20 veterans Brennan Lee Mulligan, Siobhan Thompson, Erika Ishii, and Isabella Roland. Additionally, newcomers to the dome, Jasper William Cartwright and Rashawn Nadine Scott, showcase their talent as they become part of this incredible cast. With a total of 10 gripping episodes, Burrow's End promises to captivate audiences. Notably, Iyengar is a familiar face in the Dimension 20 universe, having previously participated in multiple side quest campaigns and becoming the first new GM to join the team in 2021 with Misfits and Magic.

Screen Rant spoke to Aabria Iyengar regarding her role as the Game Master for the new season of Dimension 20, Burrow's End. In the interview, Iyengar discussed the inspiration behind the season, the significance of the cast portraying family members, and the continuation of the tradition established by Mulligan in "Earth." Furthermore, Iyengar expressed her enthusiasm for Fantasy High: Junior Year and her interest in participating in future projects such as The Seven and Misfits and Magic. Reflecting on her time in Campaign 3 of Critical Role, Iyengar delved into how she tweaked her character to playfully disrupt Travis Willingham, shared her thoughts on the mention of Laerryn, and even shared her theory regarding the enigmatic tree that Bells Hells is currently seeking.

Aabria Iyengar Talks Dimension 20: Burrow's End

Screen Rant: I love this season! I've already watched the first episode twice.

Aabria Iyengar expressed her immense gratitude, stating that she had been extremely nervous due to the significant differences. Without any inquiries made yet, she confessed to feeling overwhelmed and shared her concerns about not being able to disclose that this season wouldn't be entirely comedic. She anticipated the audience's reaction, wondering if they would inquire about the absence of jokes and the overall direction of the show. Nevertheless, she reassured herself, jokingly stating her intention to astonish everyone right from the start. She acknowledged that the viewers might be shell-shocked but reassured them that the season was progressing well. She justified her confidence by recognizing that past seasons like Crown of Candy and Ravening War had already left a lasting impact on the audience.

Aabria Iyengar: Absolutely! And while you're sitting there, thinking about it, A Crown of Candy remains my top D20 season. It's incredible to be part of Ravening War. The fear of potentially traumatizing your players is a genuine concern, but it won't hold you back.

First and foremost, I want to express my gratitude to you for introducing me to Dimension 20.

Aabria Iyenfar: Shut up!

I was captivated by your storytelling in Exandria Unlimited and noticed that you were also promoting Misfits and Magic Dimension 20. After watching the trailer, I promptly subscribed to Dropout.

Aabria Iyengar: Wow. Just wow. Thank you! I'm absolutely thrilled by that. It means a lot to me.

I absolutely adore it, and then you introduced Earth, causing me to completely lose my mind.

Aabria Iyengar: We were absolutely ecstatic about it. It was one of those moments where we paused and realized what had just happened. Brennan jokingly mentioned that it was amusing how he didn't anticipate it, despite knowing that we would start in a small burrow. And in that instant, I couldn't help but think, "Oh no." We both immediately considered reaching out to Matt to share the news. However, we decided it would be more enjoyable for him to discover it later. It was such a thrilling experience! I'm grateful to be part of the opening sequence that summons Captain Planet through established connections in our world.

One aspect of your storytelling style that I really admire is its cinematic quality. Not only do you consider the characters, but also the audience. Could you discuss the reasoning behind this storytelling approach?

Aabria Iyengar: Absolutely! This approach stems from my experience of coming to D&D later in life and not being particularly involved in high fantasy literature while growing up. As a result, D&D didn't align with the same level of familiarity and resonance that it might for someone who is deeply immersed in works like Lord of the Rings and Wheel of Time. For me, this system, storytelling style, and game serve as a means to immerse myself in a novel-like fantasy world and truly inhabit it.

Most of my inspiration for developing and sharing stories comes from movies, particularly within the genres of fantasy and science fiction. While I am an avid reader, it is the cinematic experience that truly captivates me in these genres. Therefore, it seemed appropriate to draw from that thematic and visual influence.

In addition to my love for films, my background in role-playing games, specifically through live-streamed sessions and audience engagement, has further shaped my storytelling approach. Platforms like Hyper RPG and Pixel Circus, along with their show Failed Save, provide interactive experiences where the audience can influence the story through tipping. These contributions can result in narrative changes, the addition of new mechanics, or benefits for the game master or players at the table.

I have been trained to be aware of the audience even before joining Dimension 20 or CR. It is a constant struggle for me, as my brain always considers the presence of the audience, even when I am not directly addressing them. The storytelling is meant for both the players at the table and the unseen audience member, who we are unable to interact with in the same way. It is important to provide the audience with something similar to the information or direction that a skill check or critical hit would yield. However, we rely on the professionalism and integrity of the players at the table to not let that influence their gameplay. We inform the audience about what we are doing with the story, but it is essential for the players to continue playing their characters without that knowledge.

You were the first new GM to come into Dimension 20 with Misfits and Magic. How has your GMing and storytelling style evolved from then to now?

Aabria Iyengar: It's incredible to be in the presence of the world's best storytellers. I always make a sports analogy, and I can't help myself. But if you have a physical task or skill that you're trying to accomplish, it becomes much easier once you witness someone else doing it.

You know, it's like watching American Ninja Warrior, where many people struggle with the first obstacle until someone succeeds. Then you realize the clever strategy that you hadn't considered, and it makes it easier for everyone else to do it. So when it comes to running games and being a player, observing Brennan's work up close and seeing the meticulous attention to detail in his storytelling, as well as his mastery of creating a complex narrative, is truly inspiring.

The plot, story, and themes are all present, and observing him navigate through them, it becomes evident that this is his way. He has a talent for immersing people in his creations, constructing expansive worlds that captivate. As a result, when you finish watching, even if you were not involved in the story, you are compelled to believe that you could step into that world and be a part of it.

Brennan has achieved something unique, which I have endeavored to emulate. The concept of a world feeling so vast and complete that it could exist independently of the characters within it is mind-boggling. Witnessing this firsthand has inspired me to strive for greater depth and richness in my settings and narratives. Furthermore, as a player, I have had the pleasure of observing the interpretation and improvisation skills of both heroes and guests, and it is truly remarkable how wholeheartedly they embrace the art of improvisation.

I have completed an improv course and received a certificate from the Upright Citizens Brigade. I believe improv is essential in TTRPG, as it allows you to observe experts effortlessly construct cohesive stories. It is important to grasp the concept of story structure, understand our character's journey, and maintain a natural pace to effectively contribute to the overall narrative.

In contrast to casual home games of D&D, where the focus may be more on socializing and enjoying pizza, I have learned from experienced players the significance of actively driving the story. Engaging in a deliberate and focused approach to playing, including following a three-act structure and developing a comprehensive character arc, creates a sense of cohesion and professionalism akin to a scripted production. These skills are emblematic of mastery within the realm of improvisation. Apologies for the lengthy digression.

This season delves into the fantasy subgenre of Secret of Nimh and Watership Down, but with a unique touch of Dimension 20 magic. What sets it apart from those stories?

During that transitional period in school, you find yourself engaged in silent reading. At first, you enjoy books about fun animals embarking on exciting adventures for your personal pleasure. However, this changes when you encounter assigned readings from your classes. These are the books deemed significant for you to read. They may include classics like "To Kill a Mockingbird" and "Lord of the Flies," which are part of the curriculum and carry specific messages.

These assigned readings often explore political themes and provide guidance either supporting or opposing certain aspects of the world. As a child, you contemplate whether the purpose of a story is to entertain or to educate. Does it aim to soothe your heart or impart knowledge and advice? Eventually, you ponder whether these two purposes are truly distinct. This reflection arises after witnessing a heartwarming moment in the first episode where children are being tucked into bed and a delightful story is told.

Does the gentle story soothe a child to sleep, or does it function like propaganda? It presents a portrayal of the world and highlights the dangers. It reinforces the distinction between "us" and "them," and ultimately urges action. In essence, it is no different from the propaganda encountered when discussing the perpetual war with Eurasia in the novel, 1984.

Without revealing too much, I find intriguing parallels emerging. I believe I have already expressed a substantial amount. We will explore different genres in a manner that speaks to a particular stage in childhood and the experience of readers, when books undergo a transformation in their purpose.

I admire your exploration of various fantasy subgenres. From the Harry Potter parody, to the combination of Jane Austen with the Fae, and now this new venture.

Aabria Iyengar: It brings such satisfaction to delve deep into these stories, to strip them down to their true essence. It's not just about having fun and mocking Harry Potter and JK Rowling, but also about digging even further and discovering what makes these types of stories and their storytelling techniques truly resonate with you.

Can you retain

and discard all the unsustainable and unworthy knowledge you currently possess? Is this a fundamental aspect of maturing? So, how do we approach this task? How do we uncover our passions, retain what truly matters, and discard the rest? And ultimately, realize that it all boils down to family. It consistently revolves around family. Ultimately, it all comes back to relationships.

I thoroughly enjoy the family dynamics in this. Would you mind discussing the process of creating the characters?

Aabria Iyengar: Of course! When we started creating the characters, I emphasized the importance of having a strong connection since all of you will be from the same burrow. It would be beneficial for at least some of you to be related. However, if anyone wants to do something unique and unconventional, that's also an option. The actual story will be derived from what you all create here today. I have the overall world and a general idea, but the specifics of the story will be shaped by your character creation. Surprisingly, they quickly embraced the idea of being a cohesive family unit.

Not all of us are blood relatives due to Thorne's marriage into the family, but we consider ourselves a family, and that's what matters. This is our starting point for the adventure, acknowledging that the world can be vast and unforgiving. Nevertheless, we have one another to rely on. Despite the common struggles that every family faces, including the challenge of self-identity and being truly understood, we have multiple generations present. We understand that parenting is a lifelong commitment, but it evolves and adapts with each stage of a person's life.

With a grandmother, adult children, and young children, we have a wonderful opportunity to explore the different roles and experiences of being a mother. We delve into the complexities of raising adult children and the joys and challenges of mothering young children. These relationships constantly evolve and require adjustments. Ultimately, this is the essence of our story. The fact that we came together as a family creates an exciting and promising starting point for our journey.

I believe that all the storytellers here are truly exceptional, and I cannot express enough how much I admire each and every one of them. They are all highly skilled and knowledgeable in their respective fields, and their expertise goes beyond just D&D or RPGs. They are all capable of crafting captivating narratives in various mediums. With such a talented group, it only made sense to channel all of our storytelling abilities into this project.

This is an exceptional group, as everyone here comprehends the highs and lows of narratives and emotions. They are equally dedicated to creating uproarious and lighthearted moments as they are to exploring profound, personal revelations that can unsettle one's innermost being. These realizations may relate to oneself, one's family, or even the world. Alternatively, we may confront intense external conflicts, as we are all familiar with each other's capabilities and fully invested in navigating moments of tension and disagreement.

This is akin to a player versus player dynamic, where divergent ideologies clash, and yet we embrace it all, using it skillfully to craft a captivating narrative. We never shy away from any moment throughout our entire season together. Truly, this is an incredible ensemble, and I feel incredibly fortunate to work with such extraordinary individuals. Their exceptional talent and dedication make my job incredibly easy.

The first PvP encounter in Dimension 20 was truly unforgettable.

Aabria Iyengar: Whenever given the opportunity, I always encourage engaging in combat with everyone, indefinitely. My only disappointment during the Ravening War was not being able to follow through with my intention. I had an intense desire to eliminate Brennan's detestable radish character. We exchanged a lot of trash talk before the battle commenced. However, once the game started, a shocking revelation hit me - he was actually my father. So, all hopes of exacting revenge vanished. I resolved to find another means another time. Nevertheless, embracing the entire spectrum of experiences in interpersonal dynamics at the gaming table is undeniably exhilarating.

And then there's Brennan and Erica, fellow participants in World's Beyond Number, who are here as well. You have all been collaborating for a considerable time. Understanding their gaming styles, how does that impact your role as the GM for this particular game?

Aabria Iyengar emphasizes the importance of being continuously surprised by players, even when you are familiar with them. In particular, Erika and Brennan consistently surprise her. She mentions an episode of Space Cram called Worlds Beyond Number, where a lighthearted debate turned into a chaotic and hilarious game. Aabria recalls laughing so hard that she almost wet herself, as everyone involved kept pushing the boundaries to make it even more outrageous. Despite the craziness, they managed to create a cohesive and exciting story. Aabria finds great joy in telling stories with people she knows well and hopes to continue doing so throughout her life, if fate allows.

I adore Brennan and Erika with all my heart, and having them in my life is truly the best possible world. It is so wonderful to have people at the table who understand me so well. I don't have to explain myself; they immediately understand and are able to support and collaborate with me effortlessly. It is amazing to have as many of my beloved Worlds Beyond Number projects as possible. This fills me with immense joy.

I was ecstatic when I discovered that you guys actually did Space Cram.

Aabria Iyengar: I initially thought it would be impossible to reach that number, but to my surprise, we hit it quickly. I was caught off guard and wondered if there was a way to avoid it. The funny part is trying to explain what happened during the IG Live to those who haven't watched it. It's essentially unexplainable. However, that's what makes it interesting. It's a game of figuring out how to turn all the nonsensical moments into a story.

As I watched people make even crazier choices, I realized I could challenge them. They kept trying to go off on a high note and never come back to it, but I decided to bring it back and explore it further. So go ahead, make your big choices. I'll hold you accountable and we'll continue with these characters. I really enjoy Space Cram because it has become a strange meme and a challenge for all of us. Let's call each other's bluff and take it even further.

I'm thrilled to learn that we'll be receiving Fantasy High: Junior Year! However, I can't help but wonder if there's a possibility of obtaining another chapter for The Seven or The Misfits. These two series are among my personal favorites.

Aabria Iyengar: Dude, I desperately want both of those. It was hilarious because the timing worked out perfectly. While I was collaborating with Rick on the maps and minis for Burrow's End, there were also teams in the art department working on things for Junior Year. I had the chance to sneak a peek and it was amazing to have the opportunity to come back and tell more stories.

The bond that formed among The Seven, a group of strangers before we started, was crazy. If we can make a comeback, I'll keep pestering Sam Reich, David Kerns, and Brennan to do it because I miss those times. Our group chat is still active and exciting. Yes, please.

The initial story was Misfits and Magic, a small yet captivating tale where everything started. We had the freedom to pursue our creative desires, but given the opportunity, I would be thrilled to continue. The table and the story hold a special place in my heart, and there is immense potential to explore within this world, thanks to the fascinating characters. So yes, I truly hope for the chance to continue, fingers crossed.

Your character arc in Campaign 3 of Critical Role was absolutely brilliant. I adored how you shook things up right from the moment you entered, particularly with Travis. It was the perfect touch.

Aabria Iyengar expressed her gratitude for the opportunity and shared that it was her personal favorite. Initially, the plan for Deanna was to have a slightly different characterization. However, a few weeks before launch, Aabria remembered that Matt had mentioned Travis having some exes. She quickly went back to find the episode for reference, as she couldn't recall the names immediately.

Upon rediscovering Deanna and her distinctive laugh, Aabria realized there was ample room for exploration. The unknown significance of Deanna to Chetney in the present and the past presented many possibilities for storytelling. Despite Travis openly expressing his preference for avoiding romantic arcs and heavy drama, Aabria eagerly embraced the chance to challenge that notion. She portrayed herself as Travis' ex and his confidant, without putting pressure on reigniting a romantic relationship. This allowed for an authentic and genuine exploration of Travis' character.

It was fun, cool, and I loved it. Repeating the experience of being with an ex seemed like a tendency, so why not give it another shot? It was a really enjoyable and positive experience. Travis was really good and enthusiastic. After everything was revealed at the end of that episode, he asked, "Why? Why are you like this?" I responded, "Because you're one of my closest friends. You remind me of all the friends I had during my sports days. I can't help but do anything to make your day more challenging. It's all I've ever wanted, and now I'm achieving it. So thank you."

I can relate to being a former athlete-turned-nerd. So, when I saw him panicking, I was like yes!

Aabria Iyengar: Isn't it true?! Remember when I gestured towards the name of the sheet and he responded with "Cool, hold on"? I was thinking the same thing. Whatever you anticipate is about to occur, that's exactly it. See you in a minute.

I absolutely adored it! The feeling I got when Laerryn's name was mentioned was indescribable. A mix of happiness and excitement flooded over me. It's a rare occurrence for me to have such an emotional moment in a scene, especially where tears are involved. I have to admit, I'm not a fan of displaying raw emotions due to my Taurus nature and belief in astrology. But despite that, I managed to hold back the tears when Laerryn's name came up. It was a deeply meaningful moment for me because it reminded me of my character in EXU, the one I've been running and playing in. The connection to the world that was promised in the premise was always there, and it was incredibly fulfilling to have that confirmed.

The significance of the choices made in a game from months ago dawned on me in a profound way. It wasn't just meaningful to the players and fans, but it had implications for the world. Exandria, in particular, holds a special place in my heart as my favorite fantasy world. While I appreciate Narnia, Middle Earth, and Randland from Wheel of Time, they don't resonate with me in the same way. Exandria is unique. Consequently, realizing that my choices, character, and actions in the game held weight was like receiving the most precious and delightful gift. It's something that will always evoke strong emotions in me.

Are you interested in revisiting the story of EXU and the Crown Keeper? Because I'm absolutely enamored with it.

Aabria Iyengar: Oh, there's definitely more to come. Despite time and production constraints, there are always numerous factors involved in the creation of anything. Amy, in particular, is a highly accomplished and renowned actor, making it a challenge to coordinate schedules. But do I have the desire to continue? Absolutely. There's still so much untapped potential, especially with Opal's character taking a darker turn. We have a few unresolved elements that deserve attention. So yes, that's the ultimate goal. I truly hope we find the time to make it happen because I'm fully committed. Based on the discussions and hangouts we've had as a team, everyone is equally eager. Fingers crossed it happens sooner rather than later.

I hope so. And then I have another friend who's also very into Critical Role, and he thinks that the tree that the Bells Hells are going after sounds like...Yeah?

Aabria Iyengar: Yeah! Right?

How do you feel about that?

Aabria Iyengar: Hey, bro? When they mentioned that tree, I was taken aback. I couldn't help but think, why won't they just get rid of it already? Someone should use blight and finish what I started. Cut down that nuisance. It's actually quite entertaining because, you know, when you analyze the whole situation. We were engrossed in the story and I had my well-researched document about Calamity's lore. I had included the mention of Arboreal Calix and then they brought up the Tree of Names. It made me think, oh, I think I understand the plan here. Let's go and have some fun with that massive tree.

Yes, now that we understand the significance of the Tree of Names and how disastrous its fall was for Exandria. I can't help but have strong feelings about taking it down. I just want to see it gone. Fearne, I'm looking at you. You have blight. You're just as crazy as me. Take down that tree. Take it down!

I am enamored with it. The parallels are truly captivating. I cannot wait to see what Matt has in store for us next, as he is undeniably one of the most talented storytellers globally. It is safe to say that it will exceed all expectations. You can try to anticipate what might come next, but it will undoubtedly surpass that, leaving a profound impact. Observing their journey through the Shattered Teeth has been an immensely enjoyable experience. Cheering for Domunas to knock down that tree, searching for Avalir, and hoping to find my husband, who may be unharmed, has been quite the thrill.

I am overjoyed! It has been an absolute pleasure talking to you. I am eagerly looking forward to more episodes of Burrow's End.

Aabria Iyengar: Thank you, it's incredible talking to you. My biggest hope in the world is that people like it and truly understand the essence of our intentions. This has always been my dream. I hope you perceive and connect with the narrative we shared at the table. I hope you notice the subtle and prominent elements that were intertwined throughout. Yes, I hope it not only entertains you, but also leaves you with a fulfilling story.

About Dimension 20: Burrow's End

The tale of Burrow's End unfolds within the enchanting realm of the Blue Forest, where a remarkable family of stoats resides. Led by the wise matriarch Ava, this esteemed clan comprises of adult sisters Tula and Viola, accompanied by Viola's devoted spouse, Thorn Vale. Furthermore, we meet Tula's precocious offsprings, Jaysohn and Lila, who together embark on a poignant journey as their serene existence encounters an array of both natural and extraordinary challenges.

The first episode of Dimension 20's Burrow's End is available now on Dropout with new episodes debuting every Wednesday.

Source: Screen Rant Plus