Shocking Revelation: Exclusive Insight on the True Identity of the Killers in 'Only Murders in the Building'
John Hoffman, cocreator of Hulu's 'Only Murders in the Building,' confirms a fan theory about the selection process of the show's killers Find out more about this intriguing revelation in this article
John Hoffman, cocreator of Only Murders in the Building, addressed a popular fan theory regarding the selection of each season's killer. According to Hoffman, the fact that each killer has been a woman in the first two seasons was more coincidental. However, the show's creators were aware of this pattern and even acknowledged it within the dialogue. Hoffman mentioned that there are subtle meta games involved in certain aspects of the show's dialogue.
In Only Murders in the Building, Selena Gomez, Steve Martin, and Martin Short portray three strangers who develop a friendship based on their shared interest in true crime. Together, they uncover and solve various murder mysteries that are linked to their residence, the Arconia.
In the first season, Mabel (Gomez), Charles (Martin), and Oliver (Short) focused their investigation on the murder of Tom Kono (Julian Cihi). Eventually, they discovered that Charles' girlfriend, Jan (Amy Ryan), was the culprit behind the crime, driven by a crime of passion. In the subsequent season, they uncover that Poppy White, also known as Becky Butler (Adina Verson), was responsible for the violent death of Bunny (Jayne Houdyshell).
In Season 3, the trio faced a fresh challenge of unraveling the murder of fictional Hollywood star Ben Glenroy (played by Paul Rudd). Ben had survived an unsuccessful poisoning attempt before being pushed down an elevator shaft. Eventually, the culprits were exposed as the producers of Oliver's play, Donna (portrayed by Linda Emond), and her son, Cliff (played by Wesley Taylor).
Hoffman emphasized that the writers room consistently places top priority on delivering a captivating narrative.
“It’s always a task as you never know if you’re going to get more seasons to a television show, but writing a 10-episode mystery was an immense undertaking. So that aspect of it is consistently intimidating,” he conveyed to Us. “Expanding on that and examining it comprehensively, we must ask ourselves the challenging inquiries. What have we previously accomplished? What feels innovative? What feels invigorating? What’s the unique perspective on it?’ Ultimately, our focus narrows down to what logically aligns with the narrative that we're presenting.”
Patrick Harbron/Hulu
There was a deliberate effort to provide viewers with hints that would assist them in solving the puzzle of Season 3.
"We also implemented methods of dropping clues that were slightly more accessible than in Season 2, where much was concealed until the very end. I wanted to give our audience the opportunity to say, 'Hold on, I think I know what's happening.' I wanted to give them a chance to be correct," Hoffman explained. "The execution of this approach is not comical, but rather it possesses a profound underlying element that offers fresh perspectives on a character."
Donna and Cliff's relationship was given significant screen time to provide more context. According to Hoffman, they were introduced in an exaggerated manner, with theatricality and a crazy kiss on the lips. However, beneath the surface, there was a core primal connection that gradually unfolded throughout the ten episodes. Hoffman also mentioned the challenges of keeping spoilers under wraps due to the show's popularity, with fans and photographers frequently capturing scenes being filmed, such as Gomez's character wearing a wedding dress.
Patrick Harbron/Hulu
"It's quite challenging, but occasionally, an exceptional opportunity presents itself. Like placing Selena Gomez in a wedding gown," he acknowledged. "Knowing that she would be clad in a bridal ensemble during our shoot, I couldn't resist capturing that moment. But is it a drawback? Does it reveal too much or does it spark intriguing queries? How does that come about?"
Most of the crucial scenes managed to remain a secret, as stated by Hoffman.
According to the executive producer, being extremely cautious and protective is essential. In an effort to avoid spoiling the season for viewers as much as possible, every possible measure is taken. For instance, Paul Rudd, who plays a prominent role in the season, is a very busy individual and had to travel to London to film for Ghostbusters. As a result, the two final scenes had to be filmed six weeks in advance of the actual finale shoot.
Hoffman commended the tight-lipped nature of the show's cast and crew regarding the finale, stating, "Before we began rehearsing, I felt the need to address everyone here and express my trust in them, but also emphasize that what they were about to witness should remain confidential." So, even within the crew, it was essential to establish a high level of trust to prevent any spoilers and maintain the element of surprise until the appropriate time.
Patrick Harbron/Hulu
The latest season of the popular Hulu series concluded with many surprising revelations. Nevertheless, Hoffman emphasized that the storyline for the episodes is always predetermined from the start.
"We have to meticulously plan it in advance. We need to identify the murderer and plot our way towards the unexpected twist. This season deviates slightly in a unique manner, adding complexity to the process," he informed Us.
Hoffman explained that the storytelling approach was influenced by real events, particularly the theme of mothers and sons, which provided different variations for the characters. This aspect was woven into the story across the 10 episodes.
He further shared that this theme held personal significance for him, as his mother passed away last year. It was a deeply ingrained element within the stories, as he sought to gain new insights into the dramatic events in the murder mystery genre. Understanding the human aspects that motivate and drive people, as well as the flaws that can lead to both positive and negative outcomes, were all key considerations during the development of the season.
After the season 3 finale, Hoffman expressed his enthusiasm to expand on the latest death. It appears that Charles' stunt double, Sazz (played by Jane Lynch), was the intended target as he was shot while in his apartment.
"I have been able to create something that is both thrilling and novel for the show. It is connected in important ways, yet also completely fresh and uncharted territory. This is what excites me," teased Hoffman, referring to his vision for the show's future. "Working on this show brings a level of joy that is rare, and we all recognize that. So, there is definitely potential in what we are considering for season 4 to explore something entirely new."
Season 3 of Only Murders in the Building is streaming now on Hulu.
