Director James Mangold of Indiana Jones and the Dial of Destiny is standing by the film's unconventional science-fiction conclusion. After four decades of portraying the character, Harrison Ford bids farewell to his role as the daring archaeologist in Mangold's sequel. The movie centers around Indy and his allies embarking on a quest to locate a forgotten artifact capable of foretelling temporal disruptions. In the final act, the characters find themselves journeying over 2000 years into the past.
In a recent interview with ComicBook.com, Mangold justifies the ending of Indiana Jones and the Dial of Destiny. He argues that the incorporation of mystical elements aligns with the established tradition of the franchise. See Mangold's complete statement below:
"Well, my co-writers and I extensively deliberated on this matter. However, it is not truly controversial as these movies possess a refined structure. The artifact perpetually shapes the final act, while its power embodies the enchantment of the film."
Whether it's the Ark of the Covenant or the Holy Grail, or any other relic for that matter, the events that unfold in the third act are often a response to the awe-inspiring magical and mystical powers possessed by these objects. And they are typically mind-blowing.
In the case of the original Raiders, for example, the story takes a significant turn when the characters spend two hours chasing a tablet through the desert, only to have someone open a box and suddenly find themselves in a situation reminiscent of Poltergeist or Close Encounters of the Third Kind. This shift, though massive, is a beautiful one and it compels Indiana Jones, as a scientist, to confront something that defies explanation.
Each movie now consistently concludes with a captivating and unexplainable event, compelling the doctor or scientist protagonist to grapple with conveying its occurrence using mere rationality. Stay tuned for further updates.
Source: ComicBook.com