On Sunday evening, the Writers Guild of America announced that the major film and television studios, along with the striking writers, have reached a tentative agreement after intensive negotiations. This development marks a significant step forward in bringing an end to the historic work stoppage that has paralyzed much of Hollywood, as it has halted production activities.
In an email sent to its members, the WGA expressed gratitude for the unity and determination demonstrated throughout the past 146 days. They acknowledged that the gains achieved in this contract, especially since May 2nd, were a direct result of the collective power and resilience of their membership. Additionally, they recognized the support received from fellow union members, which played a crucial role in compelling the companies to return to the negotiating table and ultimately reach a deal.
The details of the agreement were not immediately disclosed.
Although the agreement still requires ratification by the members of the WGA, which represents over 11,000 writers, this signifies a significant milestone in the nearly five-month-long strike. The ongoing strike almost surpassed the record of the longest WGA strike in history, which occurred in 1988 lasting for 154 days.
In our message to members, we are proud to declare that this deal is remarkable, offering substantial benefits and provisions for writers across all sectors of our membership. However, it is important to note that the strike will not be immediately concluded as the tentative agreement still requires ratification by our members.
No one should go back to work until the Guild gives specific authorization. The strike will continue until then," stated the WGA. As of today, WGA picketing is being suspended. The Guild urged its members to support the actors strike by joining the picket line this week.
Since mid-July, the actors union SAG-AFTRA, which represents approximately 160,000 actors, has also been on strike.
WGA concerns
Hollywood strikes have had significant and expensive consequences, causing an estimated nationwide economic impact of over $5 billion, as stated by economists. This ongoing dispute has also had a ripple effect on various industries, including restaurants, service firms, and prop shops, leading to job cuts. In New York alone, the disruption of 11 major productions resulted in a staggering loss of $1.3 billion and 17,000 job losses, according to Empire State Development.
Traditional linear television revenue streams have experienced a decline, and although streaming services are growing, they are not profitable. Additionally, streaming shows generally have shorter seasons, resulting in fewer writing opportunities.
Writers have expressed their inability to sustain themselves under the current economics and payment structure of the television and movie industry. Many shows have fewer job openings, and even those who do find work face lower compensation. This unfortunate situation has left numerous successful and acclaimed writers unable to financially support themselves through their profession.
Writers are expressing their concerns about the increasing presence of artificial intelligence and are advocating for safeguards to ensure that movies and shows are written by humans rather than machines. The utilization of generative artificial intelligence in the production process was a significant matter of contention, according to an individual familiar with the situation.
CNNs Chris Isidore contributed reporting