VFX Secrets Unveiled: Behind the Epic Beau Is Afraid Scene
VFX Supervisor spills the beans on the making of Beau is Afraid, revealing the challenges behind creating one scene Find out why this movie is Aster's most epic yet, for better or worse
During the production of Beau is Afraid, VFX Supervisor Alexandre Lafortune faced a challenging task of creating three hours of wild sequences. However, he revealed that one particular scene from the movie took longer to make than the entire four-month shoot. The scene in question belongs to the mid-movie short known as "Hero Beau," which required the efforts of two studios to film. The latest offering from Ari Aster has been receiving positive reviews from critics and audiences alike, with Joaquin Phoenix's performance and Aster's direction being singled out for praise. In an exclusive interview with Screen Rant, Lafortune delved into the extensive production and development of "Hero Beau," providing a detailed account of the artistic process behind the scene.
The rowboat sequence was a major challenge in the creation of this eight-minute short film. The sequence required a specific look that blended elements of maquette and actual set design, as well as stop-motion animation and cel-animation paint over. A collaborative effort between Louis Morin, Jorge Cañada, and Cristóbal León and Joaquín Cociña from Chile was necessary to develop the unique aesthetic. The Chilean animators, known for their experimental work and award-winning creations, provided look development ideas through maquette paintings and other visual aids. To ensure the vision was executed properly, previs was created before the five-day shoot with Joaquin Phoenix.
We meticulously crafted each sequence in the short film, starting with storyboarding and then moving on to technical aspects such as camera placement and set dimensions. This allowed us to efficiently communicate our vision to the crew and avoid wasting time on set. Despite the long hours and management required to switch between two studios, we were able to capture the footage we needed. Afterwards, it was up to Folks to piece everything together, integrating maquettes, animations, 2D and 2.5D compositions, and even some full CG shots into a cohesive world. It was a lengthy process, taking just over a year from filming to completion, but the end result is something we're proud of. It may even be festival-worthy.
Beau is Afraid Is Aster's Most Epic Movie Yet (For Better & Worse)
After its surprise premiere on April Fool's Day, Beau is Afraid received critical acclaim from reviewers who praised Aster's ambitious vision and the film's blend of horror, existentialism, and comedy, calling it the director's most unhinged movie to date. However, upon its wide release, some reviewers criticized its pacing and mammoth 178-minute runtime, while others felt that its themes were understood well before the movie's end.
Despite initially generating buzz for its ambitious scope, Beau is Afraid ultimately failed to live up to expectations. Despite boasting a talented cast and crew, including director Ari Aster, the film received mixed reviews from critics and audiences alike. With a disappointing box office return of just under $11 million, it fell far short of its $35 million production budget. While this setback doesn't necessarily spell doom for Aster's future in filmmaking, it does highlight the challenges of balancing artistic vision with commercial success.
