Human Resources surpasses its flagship series, Big Mouth, in several significant ways. While Big Mouth is undeniably impressive as one of Netflix's most popular and acclaimed adult animations, Human Resources outshines it with its unique attributes. As a spinoff subseries, Human Resources introduces audiences to a whole new world within the franchise.
Nonetheless, Human Resources's two seasons retain some of the best aspects of Big Mouth. The combination of crude humor and unapologetic storytelling expertly woven into compelling narratives makes Human Resources a remarkable success that pays homage to the original series. However, the addition to Nick Kroll and Andrew Goldberg's Big Mouth brainchild truly takes it to the next level.
10 Old Favorites Star In Human Resources Alongside New Voices
Within the realm of Human Resources, viewers will recognize the familiar talents of Maya Rudolph and Nick Kroll, reprising their beloved roles as the Hormone Monsters from Big Mouth. In the cast of characters for Human Resources, Rudolph portrays Connie LaCienega while Kroll embodies Maury Beverly. These delightfully explicit Hormone Monsters were adored by Big Mouth fans, making it all the more gratifying to witness their performances amidst a plethora of fresh voices, characters, and cameos. Alongside Rudolph and Kroll, the first season of Human Resources features the likes of Florence Pugh, Niecy Nash-Betts, Miley Cyrus, Eugene Levy, and many more.
9 Human Resources Features More Monsters & Creatures
The second season of Human Resources introduced even more never-before-seen monsters and creatures, thanks to the new voice performers. While the first season of Human Resources already showcased several unique creatures like Logic Rocks, Ambition Gremlins, Addiction Angels, Need Demons, and Anxiety Sweaters, the trend continued in season 2. This time, the show featured new emotion incarnations such as Hope and Hate Worms, expanding the diverse range of characters in the series.
8 Human Resources Refocuses On Monster/Creature Storylines
One of the remarkable aspects of Human Resources is its ability to immerse viewers in the lives of Big Mouth's supporting characters. Unlike Big Mouth, which uses emotion monsters and creatures to develop the human teenagers who drive the narrative, Human Resources takes a different approach by using concise human scenes to delve into the backstories and experiences of its emotion monsters and creatures, effectively transforming them into the main focal point. This unique perspective allows audiences to gain a deeper understanding of the emotional incarnations in Human Resources through captivating and intricate storylines.
7 Human Resources Appeals To A Wider Audience
Big Mouth and its characters have captured the interest of many due to its exploration of the awkward and uncomfortable life stage of puberty and adolescence. This is a stage that a significant portion of the population can easily relate to. In contrast, Human Resources takes a leap from this specific time period and delves into other stages of life, spanning from birth to death. This expansion allows the franchise narrative to reach a much larger group of viewers. The co-creator of Big Mouth has openly admitted that the decision to broaden the scope of Human Resources was a key driving force behind the creation of the series.
Human Resources encompasses a wide range of experiences, from the joys and challenges of giving birth and dealing with postpartum depression, to navigating the complexities of caring for aging parents or grandparents with dementia, or even the uncertainties of pursuing higher education and the impact it may have on relationships. In essence, it encompasses a multitude of relatable experiences spanning from birth to death.
6 Human Resources Emphasizes Diverse Adult Narratives
Included in its extensive scope is Human Resources' focus on showcasing diverse adult narratives. A remarkable example of this can be seen in the second season of Human Resources, where the character Alice, who lives with a disability and faces challenges in a world designed for able-bodied individuals, is introduced. Human Resources not only highlights Alice's unique story, but also sheds light on other marginalized experiences, such as those of the neurodiverse, LGBTQ+ individuals, and the elderly. What sets this portrayal apart is that Alice is voiced by Ali Wong, who herself shares a similar disability.
5 Human Resources Is Funnier Than Big Mouth
Human Resources takes the hilarity of the original series to new heights with its raucous comedy and suggestive jokes. What sets it apart from Big Mouth is its focus on an influx of monsters and creatures, adding a hyperbolic element that is further enhanced by the enthusiastic voice performances of the actors, who bring these characters to life with larger-than-life personalities. Additionally, the show incorporates a plethora of relatable adult witticisms, resulting in an overabundance of humor that surpasses that of Big Mouth.
4 Human Resources Has The Storytelling Charm Of Big Mouth, But Does It Better
Because Human Resources distances itself from content aimed at children, it effectively capitalizes on a specific aspect that sets Big Mouth apart: its excessively sexualized and provocative appeal. While Big Mouth treads the fine line between acceptability and crossing boundaries in portraying the lives of its main characters, certain subjects would be deemed too extreme for young audiences. However, Human Resources fearlessly delves into uncomfortable topics and takes them to new heights, as exemplified by the inclusion of Montel's Jizz Mitzvah, the characters' unconventional holiday party centered around rear-ends, and numerous other not-safe-for-work escapades.
3 Human Resources Has A Stronger Emotional Core Than Big Mouth
Human Resources strikes a balance between entertainment and moments of profound significance. With its expansive scope, the TV series delves into the full spectrum of human emotions, from the joys of birth to the sorrows of death. Season 2 of Human Resources particularly captivated viewers with a heart-wrenching narrative about the challenges and complexities of aging, as well as the heartache of losing an elderly family member.
2 Human Resources Improves On Big Mouth's Best Ideas
The emotionally charged moments depicted in Human Resources not only enhance the series but also build upon the best concepts explored in Big Mouth. While Big Mouth already emphasizes embracing the awkward and uncomfortable aspects of growing up, Human Resources takes it a step further. By the end of the series, it advocates for the power of love over hate, encouraging a more enjoyable and fulfilling life.
1 Human Resources Is A Quick, Fulfilling Watch
Human Resources proves to be a highly rewarding spin-off that captures the essence of the hit television series, Big Mouth. Despite its premature cancellation after just two seasons, the subseries serves as a perfect companion to its parent show. For those who may not wish to delve into the seven seasons of Big Mouth, Human Resources offers a satisfying representation of the original series, often surpassing both Big Mouth and itself in certain aspects.
Source: Fast Company