The Ultimate Soundtrack Guide to The Fall Of The House Of Usher - Unveiling Every Song & Perfect Moments

WARNING! This article contains SPOILERS for The Fall of the House of Usher!

Summary

The Fall of the House of Usher showcases a diverse range of soundtracks that not only enrich the storyline but also capture the unique timelines and atmospheres of each episode.

Each installment of the series incorporates separate tales and allusions to the literary works of Edgar Allan Poe, ensuring a seamless flow and coherence throughout the narrative threads.

The show's background scores play a crucial role in storytelling, and it's fascinating to analyze the pairing of each scene with the appropriate track.

The Fall of the House of Usher's narrative jumps back and forth in time, and each background score corresponds to the era of its respective storyline. As Mike Flanagan's fifth television venture, the series takes inspiration from Edgar Allan Poe's short story but also includes various nods and references to the author's other works. In addition, The Fall of the House of Usher follows the semi-anthology format of The Midnight Club, a pattern that is a trademark of Flanagan's horror storytelling. However, unlike The Midnight Club, this series maintains a stronger sense of continuity throughout its different narrative threads.

The Fall Of The House Of Usher, Episode 1, "A Midnight Dreary"

: In addition to incorporating references to Edgar Allan Poe and presenting distinct stories in each episode, Mike Flanagan's The Fall of the House of Usher also showcases captivating soundtracks. These musical compositions not only intensify the suspense and excitement of the overall narrative but also serve as markers for the progression of the story. Given the importance of the background scores in shaping the show, it is impossible not to ponder which track accompanies specific scenes.

In the opening moments of The Fall of the House of Usher, the impactful song "Another Brick In the Wall, Pt. 2" by Pink Floyd sets the tone. This haunting tune alludes to the significant impact that the 1979 New Year's Eve had on the lives of Madeline and Roderick Usher.

"After Roderick mourns the loss of his three children at their church funeral, he emerges only to be swarmed by the paparazzi. It is during this chaotic moment that The Newton Brothers' haunting melody, 'At Last,' echoes through the air.

Transporting us back to the 1979 timeline of The Fall of the House of Usher, a flashback unfolds, accompanied by the energetic rhythm of Ace Frehley's 'New York Groove.' Within this scene, a youthful Roderick and Madeline venture into a local pub, where fate intertwines their paths with Verna for the very first time."

"Symphony No. 7 In A Major, Op. 92: II. Allegretto" by Royal Philharmonic Orchestra: Setting the mood for the upcoming dark episodes, episode 1 of The Fall of the House of Usher concludes with the captivating performance of the Royal Philharmonic Orchestra's rendition of "Symphony No. 7 In A Major, Op. 92: II. Allegretto."

The Fall Of The House Of Usher, Episode 2, "The Masque Of The Red Death"

While Camille watches Tamerlane's husband, William Wilson, workout in his follow along TV show, the lively tune of "Run to the Club" by DuoSync Music fills the background.

"10,000 Emerald Pools" by BORNS sets the ambiance as Toby and Tina arrive at Camille's residence, delivering their findings on Victorine's laboratories.

"Me & U" by Madeaux fills the air as Prospero's party gains momentum, with the arrival of additional guests, ensuring a comfortable atmosphere for everyone at the venue.

- "Wicked Game" by The Newton Brothers: The arrival of Verna at the party instantly catches Perry's attention.

- "Midnight" by Siobhan Sainte: This haunting track by Siobhan Sainte plays during the intense climax of the episode, where Perry returns to the party after his encounter with Verna and accidentally activates the sprinklers, realizing his mistake.

The Fall Of The House Of Usher, Episode 3, "Murder In The Rue Morgue"

Content must be written in English:

"Trop Vite" by Miel De Montagne plays at Napoleon Usher's place after he and Camille indulge in drugs, and Camille requests him to introduce his boyfriend to the family.

In a flashback scene, as Roderick informs Madeline about his underwhelming pay raise, the song "I Wish I Knew the Man I Thought You Were" by Karen Black sets the tone. While Madeline appears to sympathize, Annabel Lee reassures him that his new salary is a significant accomplishment for their lives.

The Fall Of The House Of Usher, Episode 4, "The Black Cat"

The Fall Of The House Of Usher, Episode 5, "The Tell-Tale Heart"

"We Built This City" by Starship plays as Napoleon discovers a lifeless, headless pigeon on his gaming chair in episode 4 of The Fall of the House of Usher. This unfortunate occurrence coincides with his decision to introduce a new feline companion into his home, in an attempt to fill the void left by his late partner's departed cat.

The Doobie Brothers' song "Listen to the Music" sets the tone for the opening of The Fall of the House of Usher as it unfolds the initial interactions between Roderick and Verna, and captures the moment when Roderick first becomes aware of the symbolic presence of the Raven.

In the scene where Alessandra discovers Victorine's unethical actions and confronts her, the song "Total Eclipse of the Heart" by Bonnie Tyler can be heard.

In preparation for Morelle's return home after her rave event in episode 2, Fredrick and Lenore make arrangements while the soft melody of "Le nozze di Figaro, K. 492: Act III: Duettino" by Judith Halasz and Nicolaus Esterhaz plays faintly in the background.

"Hard on the Heart" by Kingsborough: This one marks the inception of the final arc of The Fall of the House of Usher's episode 5 where Roderick arrives at Victorine's place.

The Fall Of The House Of Usher, Episode 6, "Goldbug"

Samantha Sloyan stars in The Fall of the House of Usher.

The mesmerizing sound of "Piano Sonata No. 17 In D Minor, Op. 31 No. 2 Tempest: III. Allegretto" performed by the Royal Philharmonic Orchestra sets the tone for both the beginning and end of episode 6 in The Fall of the House of Usher.

The Fall Of The House Of Usher, Episode 8, "The Raven"

"Knock On Wood" by Amii Stewart is featured in the Netflix horror show when Rufus Griswold warmly welcomes Madeline and Roderick during Fortunato's New Year party, oblivious to their sinister intentions to harm him.

The series plays Pink Floyd's "Another Brick In the Wall, Pt. 2" once more as the calendar dates transition and Madeline, Roderick, and Verna gather for their pivotal agreement.

"A Shorter Elevator Ride" by The Newton Brothers: The Newton Brother's "A Shorter Elevator Ride" marks the end of The Fall of the House of Usher and plays throughout the Netflix show's end credits.