The Thrilling Twists of The Postcard Killings

The Thrilling Twists of The Postcard Killings

A top list article revealing the 7 major changes in The Postcard Killings movie that make it a thrilling and unique experience for viewers.

A New Perspective: The Title

The film takes a new perspective by altering the title from The Postcard Killers to The Postcard Killings. This subtle change reflects the film's focus on Kanon's emotional journey and the scale of the investigation.

Kanon (Jeffrey Dean Morgan) with handgun in The Postcard Killings

Kanon (Jeffrey Dean Morgan) with handgun in The Postcard Killings

A Change in Location

In the movie, the tragic murders of Kanon's daughter and son-in-law take place in London instead of Rome. This alteration sets the stage for a different cultural experience and adds depth to the storyline.

The Kanons attend their daughter's funeral in The Postcard Killings

The Kanons attend their daughter's funeral in The Postcard Killings

Simplified Villainy

The film narrows its focus by portraying Simon and Marina as the sole killers, unlike the book where they lead an international crime ring. This choice streamlines the story and allows for deeper characterization of the central villains.

Simon and Marina on a train in The Postcard Killings

Simon and Marina on a train in The Postcard Killings

A New Character: Valerie Kanon

Valerie Kanon, portrayed by Famke Janssen, is introduced in the movie to add depth to Kanon's character. Although her role is somewhat peripheral, her presence contributes to the emotional fabric of the narrative.

Valeria and Jacob Kanon in The Postcard Killings

Valeria and Jacob Kanon in The Postcard Killings

Cultural Shift: Dessie Lombard

The Swedish reporter in the book becomes an American ex-pat in the film, offering a smoother dynamic with Kanon and a nuanced portrayal of her character.

Dessie, Klaus, and Kanon in The Postcard Killings

Dessie, Klaus, and Kanon in The Postcard Killings

Romance Takes a Back Seat

Unlike the novel, the film relegates Kanon and Lombard's relationship to a secondary role, focusing more on Kanon's pursuit of justice. This shift enhances the narrative's emotional depth and complexity.

Dessie at her desk in The Postcard Killings

Dessie at her desk in The Postcard Killings

The Element of Surprise

The film introduces a thrilling twist by delaying the revelation of the killers' identities, creating suspense and intrigue for the audience. This strategic narrative choice adds an extra layer of excitement to the story.

The Postcard Killings Sylvia and Mac in the hotel elevator

The Postcard Killings Sylvia and Mac in the hotel elevator