A New Perspective: The Title
The film takes a new perspective by altering the title from The Postcard Killers to The Postcard Killings. This subtle change reflects the film's focus on Kanon's emotional journey and the scale of the investigation.
Kanon (Jeffrey Dean Morgan) with handgun in The Postcard Killings
A Change in Location
In the movie, the tragic murders of Kanon's daughter and son-in-law take place in London instead of Rome. This alteration sets the stage for a different cultural experience and adds depth to the storyline.
The Kanons attend their daughter's funeral in The Postcard Killings
Simplified Villainy
The film narrows its focus by portraying Simon and Marina as the sole killers, unlike the book where they lead an international crime ring. This choice streamlines the story and allows for deeper characterization of the central villains.
Simon and Marina on a train in The Postcard Killings
A New Character: Valerie Kanon
Valerie Kanon, portrayed by Famke Janssen, is introduced in the movie to add depth to Kanon's character. Although her role is somewhat peripheral, her presence contributes to the emotional fabric of the narrative.
Valeria and Jacob Kanon in The Postcard Killings
Cultural Shift: Dessie Lombard
The Swedish reporter in the book becomes an American ex-pat in the film, offering a smoother dynamic with Kanon and a nuanced portrayal of her character.
Dessie, Klaus, and Kanon in The Postcard Killings
Romance Takes a Back Seat
Unlike the novel, the film relegates Kanon and Lombard's relationship to a secondary role, focusing more on Kanon's pursuit of justice. This shift enhances the narrative's emotional depth and complexity.
Dessie at her desk in The Postcard Killings
The Element of Surprise
The film introduces a thrilling twist by delaying the revelation of the killers' identities, creating suspense and intrigue for the audience. This strategic narrative choice adds an extra layer of excitement to the story.
The Postcard Killings Sylvia and Mac in the hotel elevator