Article Summary
Although Halloween III: Season of the Witch has been subject to criticism due to its deviation from the Michael Myers storyline, it presents a captivating science-fiction horror narrative with intriguing characters, incredible music, and remarkable special effects.
The original creators of Halloween never intended to turn Myers into a franchise, instead, they had planned for it to be an anthology series with unique storylines and characters. However, Halloween II ultimately transformed the franchise by connecting it to the unforgettable character of Myers.
Halloween III goes beyond boundaries and delves even deeper into darkness compared to the original film, showcasing intense violence, unsettling imagery, and a grim finale. Although it may not be considered a horror masterpiece, it provides a delightfully cheesy and captivating experience that commands a cult following.
In the late 1970s and 1980s, franchise horror filmmaking became a guaranteed approach to produce a successful film. By placing a group of teenagers in a campsite or suburb and having an iconic villain brutally kill them, the film industry could easily earn at least $10 million at the box office. Initiating this trend was John Carpenter's classic Halloween from 1978, which not only popularized the genre but also remains one of the most influential and highly regarded horror films ever created. Halloween introduced the audience to Michael Myers a few years before Jason Voorhees or Freddy Krueger made their appearances. With his eerie mask, deadly kitchen knife, and relentless inhumanity, Myers became an instantly iconic and chilling character.
As the "big three" of the slasher genre received countless sequels, it is not surprising that the one film in the Halloween franchise that deviates from the Myers narrative often faces criticism and ridicule from both critics and viewers. Halloween III: Season of the Witch does not involve slashing, Jamie Lee Curtis, or Michael Myers. Instead, the film centers around an alcoholic doctor, portrayed by Tom Atkins, who becomes entangled in a conspiracy involving enigmatic Halloween masks and a mysterious corporation. This premise may seem absurd, and in truth, it is.
The assumption that a horror movie from the 1980s is automatically considered ridiculous is a mistake, as it fails to acknowledge the unique qualities of such films and their worthiness of appreciation. Halloween III, despite its flaws, presents a captivating story that blends seamlessly with the atmosphere of the spooky season, delivering an abundance of thrilling scares and unexpected twists. Had the film been released without the association to the Halloween franchise, it might have been recognized for what it truly is: a delightfully cheesy yet captivating science-fiction horror flick, featuring a mesmerizing cast of characters, superb music, and disgustingly impressive special effects.
Image Via UniversalHalloween III: Season of the Witch
Children across the United States are eagerly seeking out Silver Shamrock masks for Halloween. Meanwhile, Doctor Daniel Challis is on a mission to unveil a sinister scheme orchestrated by the owner of Silver Shamrock, Conal Cochran. This thrilling horror flick, directed by Tommy Lee Wallace, hit the screens on October 22, 1982. Starring Tom Atkins, Stacey Nelkin, Dan O'Herlihy, Michael Currie, Ralph Strait, and Jadeen Barbor, the movie is classified as "R" and runs for 99 minutes. With the tagline "The night no one comes home," prepare yourself for an unforgettable experience.
Halloween Was Meant to Be an Anthology Series
Image via Universal Studios
Carpenter's iconic 1978 film was so successful that fans clamored for a sequel to wrap up Michael Myers' story. Halloween II continues the narrative immediately after Myers miraculously survives gunshots and a fall. Directed by Rick Rosenthal, the sequel solidified Myers' status as a legendary figure, even though it was intended to conclude his story. However, fans and critics were surprised when the film took a science-fiction turn instead of continuing the slasher series as expected.
Importantly, Carpenter and Hill never intended to create a franchise centered around Myers. Halloween was initially conceived as an anthology series, with each film exploring a unique plot and allowing for a range of tones, genres, and characters. Halloween II was a compromise to move forward with the original plan, but it inadvertently changed the franchise forever, forever linking it with the haunting, silent killer who captivated audiences. Halloween III, in hindsight, deviated from this pattern, but it was the only time the creative team truly embraced the original idea of an anthology franchise. Tommy Lee Wallace, the production designer for the original film, took on the role of director. Given that Wallace was responsible for creating Michael Myers' iconic mask, Carpenter entrusted him with the future of the franchise.
Halloween fans have a valid desire for more quality films that continue the story of Myers and his slasher antics. However, the sequels that attempt to follow Michael's footsteps never come close to matching the original's quality. Nonetheless, those who appreciate Halloween III for what it is can also see it as a peek into an exciting and charming alternate reality. In this reality, Carpenter and his collaborators created a dozen disconnected and highly variable follow-ups, rather than focusing the story solely on Myers.
'Halloween III' Is Gnarly, Bold, and Even Darker than the Original
Image via Universal Pictures
Going darker than ever before, Halloween III takes audiences into the chilling depths of an Illinois suburb, as an emotionless "shape" of a human lurks, unleashing a terrifying spree of stalking and stabbing. This installment dares to go beyond the boundaries set by Carpenter's original film, unveiling a level of violence that even the rebooted versions pale in comparison to. Halloween III showcases a unique blend of extreme yet cartoonish brutality, leaving an indelible mark on viewers. From the bone-crushing opening scene to the haunting encounters with laser-inflicted head trauma, magical Halloween masks, and robotic assassins, this film creates an unforgettable and visceral experience.
The plot takes Atkins and Stacey Nelkin, who play the roles of a young woman whose father was killed by an enigmatic assassin, to a laboratory. It is revealed that the widely popular Halloween masks featured in the film contain microchips that can cause a violent death to anyone wearing them. Shockingly, even a human child becomes an unfortunate victim as the masks are tested for their effectiveness. Astonishingly, these microchips are powered by tiny fragments taken from the actual Stonehenge monument, which were stolen by the wicked CEO of the mask manufacturing company. Portrayed by Dan O'Herlihy, the CEO delivers a brilliantly villainous performance. O'Herlihy's character's sinister plan is to sacrifice all children wearing these masks as a means to celebrate Samhain, by using the sound waves from the masks' television commercial to activate the microchips.
'Halloween III' Is Both Pure '80s Horror Camp and Original
Image Via Universal
This is a daring move, reminiscent of a cheesy horror flick from the '80s that may not be everyone's cup of tea. However, if you've been enjoying the wild ride so far, you can embrace it and fully embrace the sheer entertainment this movie has to offer. Halloween III swiftly races towards its conclusion, culminating in a chilling finale where the presumed villains are defeated, but Atkins makes a shocking discovery that Nelkin has been replaced with an android at some point. Despite his efforts, he is unable to prevent the commercial from being aired on all regional TV stations.
Halloween III delivers a gripping final scene as Tom Atkins desperately pleads over the phone for the network to withdraw the commercial, fully aware that countless children's lives are at stake. Remarkably, the film acknowledges the implausibility of the situation, intensifying the hopelessness and chilling impact of the implied fatalities. Despite its campy and absurd nature, Halloween III ventures into a grim territory during its concluding sequence, setting it apart from many other generic horror flicks.
Naturally, this movie falls short of being a masterpiece in the realm of horror filmmaking, much like Carpenter's original. This holds true for most slasher films derived from this franchise, as well as the underwhelming sequels in other major franchises. Yet, Halloween III earns praise for its distinct and singular vision. Any deficiencies are overshadowed by its sheer entertainment value, making it a cult classic that is both beloved and despised.
Halloween III: Season of the Witch is available to watch on AMC+.
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Editor's P/S
As a Gen Z fan, I have mixed feelings about the Halloween franchise. On the one hand, I appreciate the original film's classic status and its influence on the horror genre. The character of Michael Myers is truly iconic, and the suspenseful atmosphere created by John Carpenter is unmatched. However, I also find the sequels to be repetitive and lacking in originality. The franchise has become too focused on gore and violence, and the story has become increasingly convoluted.
Halloween III: Season of the Witch is a particularly interesting case. It is the only film in the series that does not feature Michael Myers, and it takes a completely different approach to the horror genre. The film is more of a science-fiction thriller than a slasher film, and it features some truly bizarre and unsettling imagery. I appreciate the film's originality, but I also find it to be somewhat lacking in scares. The story is a bit too convoluted, and the ending is anticlimactic.
Overall, I think Halloween III: Season of the Witch is a solid film, but it is not one of my favorites in the series. I would recommend it to fans of the franchise who are looking for something a little different, but I would not recommend it to casual horror fans.