The Overuse of Popular Songs in Television and Film

The Impact of Familiar Tunes

Television and film have a penchant for incorporating familiar tunes into their narratives, and the recent season 2 finale of Reacher is no exception. The episode featured a song that has become a staple in the entertainment industry, sparking discussions about the overuse of popular music in storytelling. This recurring trend has raised questions about the creativity and originality of the music choices in modern media, prompting audiences to consider the implications of relying on well-known tracks.

Maria Sten as Neagley in Reacher season 2's finale scene

The season 2 finale of Reacher, which aired in January 2024, culminated in a climactic scene set to the tune of 'White Rabbit' by Jefferson Airplane. The song's widespread popularity has led to its frequent appearance in various shows and films, making it a recognizable element in the cultural landscape. While there is no prohibition against featuring popular music in television and film, the repetitive use of certain songs has sparked a growing sense of weariness among viewers and critics alike.

Eleven sits in a diner in Stranger Things

The Finale's Musical Impact

The concluding episode of Reacher season 2 marked a pivotal moment for the characters, as Alan Ritchson's Jack Reacher and the 110th Special Investigations Unit embarked on a final mission to unravel a season-long mystery. The intense sequence, accompanied by 'White Rabbit,' saw the protagonists confronting the aftermath of a series of tragic events while seeking closure and justice. Despite the emotional resonance of the scene, the use of a well-worn song highlighted the prevalence of familiar tracks in pivotal storytelling moments, raising concerns about the potential impact on audience engagement and narrative originality.

The renewal of the series for a third season has fueled anticipation for new storylines and character developments. As Reacher prepares to return to the screen, the prospect of exploring lesser-known and underutilized songs has emerged as a point of interest for enthusiasts and industry observers. The upcoming season presents an opportunity to introduce fresh musical accompaniments that complement the evolving narrative, offering a departure from the reliance on heavily featured tracks.

The Ubiquity of 'White Rabbit'

The inclusion of Jefferson Airplane's 'White Rabbit' in the season 2 finale of Reacher aligns with a long-standing tradition of integrating the iconic song into visual media. Originating from the band's Surrealistic Pillow album, the track has endured as a timeless classic since its release in June 1967. Drawing inspiration from Lewis Carroll's Alice's Adventures in Wonderland, 'White Rabbit' has left an indelible mark on the entertainment landscape, being featured in numerous significant scenes across television and film.

The use of 'White Rabbit' during a pivotal moment in Reacher season 2 echoes its prominent appearances in other notable projects, underscoring its enduring relevance and resonance. From the car stereo scene featuring Maria Sten's Frances Neagley to its inclusion in various films and television series, the song's familiarity has transcended generations, becoming a defining element of visual storytelling. While its pervasive presence reflects its thematic versatility, it also raises questions about the exploration of alternative musical choices to enrich and diversify the audiovisual experience.