The Impact of AI in VFX: Insights from Cabinet Of Curiosities VFX Team Members
Cabinet of Curiosities VFX team members share their insights on the ongoing AI debate and its potential to revolutionize the VFX industry
Guillermo del Toro's Cabinet of Curiosities, which premiered on Netflix in October 2022, offers a collection of anthology-style stories in a similar vein to Black Mirror. What distinguishes this series is that the stories are curated and produced by acclaimed filmmaker del Toro himself, adding a unique touch to the horror genre. Each episode pays homage to beloved horror films while delivering original and captivating narratives, making Guillermo del Toro's Cabinet of Curiosities a must-watch for horror enthusiasts.
During an interview with VFX company Herne Hill Media, conducted on the same day that Marvel Studios' Secret Invasion opening credits caused a stir online, the team members discussed the eerie monsters and creatures featured in Guillermo del Toro's Cabinet of Curiosities. The conversation also touched upon the use of artificial intelligence by Marvel Studios, which sparked discussions about job replacement and criticisms of the credits' visual appearance. In response to the topic of AI, Herne Hill's Visual Effects Supervisor Mark Hammond, VFX Art Director Jordan Nieuwland, and Head of CG Ben King shared their insights.
Jordan Niewuland: Exploring this topic can be sensitive for some individuals. However, I believe the key is to fully embrace and comprehend it, as well as learn how we can utilize it effectively. Artificial intelligence is here to stay. As a team driven by artistic vision, we view AI as a valuable tool that enhances our creative process. It provides us with unprecedented possibilities and inspiration.
Our conversations with directors now involve them showcasing designs generated by AI art-generation tools like "Midjourney." This collaboration greatly benefits us, as directors constantly strive to keep us informed. Often, they present sketches or refer us to various sources like movies, stock sites, or art galleries to assist in crafting the visuals for our movies, creatures, and special effects. AI serves as yet another extraordinary tool that aids us in designing these elements. Personally, I fully support its integration and understand why some people may fear it. Nonetheless, I strongly believe that embracing AI is necessary for our industry.
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According to Mark Hammond, the integration of AI technology will streamline certain preparation tasks in the field of computer composition. Tasks such as tracking roto and, to some extent, even payout, are gradually shifting towards automation. This shift allows comp artists to focus more on the creative aspect of their work, rather than spending excessive time on preparatory tasks. However, it is important to note that AI technology cannot fully replace the unique creative style that comes with the expertise of a skilled comp artist.
Although the subject of AI is widely debated, it is no secret that VFX artists often experience excessive workloads on large-scale projects with extensive special effects. Prior to the reports of unsustainable working conditions causing numerous members of the Spider-Man: Across the Spider-Verse production team to leave, Screen Rant also had a discussion with Herne Hill. Head of CG at Herne Hill, Ben King, spoke about the potential of AI to prevent similar situations from arising in the future.
Ben King believes that the advancement of technology, specifically VFX tools, should not be feared as a threat to job security. He views these tools as aids in our workflows, rather than replacements for human creativity. With the increasing demands in the industry, these tools are necessary to help us work faster and achieve more impactful results. King's perspective aligns with the experiences of the VFX artists at Herne Hill Media, who commend the exceptional work they did on Guillermo del Toro's "Cabinet of Curiosities" but acknowledge the immense workload it entailed. The future of the series remains uncertain, with the possibility of a second season undetermined at this time, despite del Toro's plans and potential directors in mind.
