Ridley Scott's Fiery Response to French Media: The French Have No Love for Their Country
Ridley Scott fires back at French media's criticism of his film Napoleon, conveying his true sentiments about the French
Director Ridley Scott finds himself in a defensive position once again for his Napoleon biopic. A historian on TikTok recently dissected the film's trailer, although he admits he still wants to watch it and will likely find enjoyment in it. Adding to the criticism, the director is now facing backlash from the French, who are arguably the biggest enthusiasts of the self-proclaimed Emperor. Despite receiving favorable reviews in various segments of the UK media, such as an impressive Five Stars in the Guardian and Four Stars in The Times, the French critics have expressed less favorable opinions. However, Scott remains unfazed by their disapproval.
"The French have a dislike for themselves," Scott informed the BBC. "When I presented it to the audience in Paris, they expressed their adoration for it." According to the French newspaper Le Figaro, the film could potentially be titled "Barbie and Ken under the Empire." French GQ highlighted the presence of something "awkward, unnatural, and inadvertently comical" when French soldiers shouted "Vive La France" with American accents.
However, the harshest criticism came from Patrice Gueniffey, a renowned Napoleon biographer for Le Point magazine, who vehemently attacked the film. He labeled it as "extremely anti-French and excessively pro-British."
Scott fired back at his critics, both with expertise in French history and not, questioning, "Were you there? Oh, you weren't there. Then how do you know?"
Napoleon hits theaters on November 22.
Editor's P/S
Ridley Scott's recent comments about the French have sparked a heated debate. The renowned director, known for his epic historical films, has come under fire for his portrayal of Napoleon in his upcoming biopic. While some critics have praised the film's visuals and performances, others have accused Scott of being "anti-French" and "pro-British."
As an enthusiastic fan of Scott's work, I am disappointed by the backlash he has received from the French media. While it is important to engage in critical dialogue about historical films, it is also important to recognize the artistic license that directors take when adapting real-life events for the big screen. Scott has a long history of creating thought-provoking and visually stunning films, and I believe that Napoleon will be no exception. I am eager to see the film for myself and form my own opinion about its historical accuracy and artistic merit.
