Mind-Blowing Revelation: Legendary Music Icon Unveiled as a Secret Cylon in Battlestar Galactica

Mind-Blowing Revelation: Legendary Music Icon Unveiled as a Secret Cylon in Battlestar Galactica

Bob Dylan's Enigmatic Connection to Battlestar Galactica: Unveiling the Intriguing Theory of His Cylon Identity and the Implication for Humanity's Future

Summary

Bob Dylan's song "All Along the Watchtower" in Battlestar Galactica suggests that he might be a Cylon, descended from the Final Five Cylons.

The song's biblical and mythical allusions make it a suitable choice for the show, as it hints at impending catastrophe and heralds the emergence of a fresh era.

By incorporating the song in the finale, it conveys the idea that humanity is destined to reenact its own downfall as a result of technological advancement and the dominance of late-stage capitalism, unless a means of breaking free from this cycle is discovered.

In a surprising Battlestar Galactica theory, it is suggested that a renowned American singer-songwriter is, in reality, a Cylon. The final episode of Battlestar Galactica, which sparked controversy, revealed that the survivors of the Fall of the Twelve Colonies were distant ancestors of humanity. The show's creator, Ronald D. Moore, implied that humanity in the 21st century is nearing a technological revolution that could be prevented if only they heed the warnings. This concept aligns with BSG's recurring theme that history repeats itself.

Another recurring element in the Battlestar Galactica reboot was the song "All Along the Watchtower," which served as a link for the Final Five Cylons, the only ones who could hear it. The song was revealed to possess divine origins and helped guide Starbuck (portrayed by Katee Sackhoff) in navigating the Galactica and the Fleet to their new home on Earth. Amazingly, centuries later, Bob Dylan would write and record the same song for his 1967 album John Wesley Harding. This indicates that Dylan may have become electric much earlier than expected, and therefore, it is proposed that he is a Cylon.

Bob Dylan Must Be A Cylon In Battlestar Galactica Continuity

Mind-Blowing Revelation: Legendary Music Icon Unveiled as a Secret Cylon in Battlestar Galactica

In Battlestar Galactica's divisive ending, the Earth that the Fleet lands on is subtly different from our own. This means that events following the finale would unfold in a manner similar to reality. For instance, in 1967, Bob Dylan would still write "All Along the Watchtower." However, in the BSG universe, Dylan would be unknowingly replicating a song from thousands of years earlier, hinting at his ancestry from the humanoid Final Five Cylons. Each of the Five became aware of their hidden identity when they started hearing the song in their minds. Thus, it's plausible that the Bob Dylan in Battlestar Galactica is a descendant of Hera Agathon, a half-human, half-Cylon.

The original song holds biblical and mythical significance, which likely influenced Ronald D. Moore's selection for Battlestar Galactica. "All Along the Watchtower" has been linked to the Book of Isaiah, specifically Chapter 21. This passage has traditionally been interpreted as a prophecy of Babylon's downfall, involving mentions of two horsemen, princes, and a watchtower – elements also found in Dylan's song. Just as the fall of Babylon marked the end of the Neo-Babylonian Empire, the actions of the Final Five led to the utter devastation of the Twelve Colonies in BSG. Therefore, the Dylan song serves as both a prophecy of destruction and a key to a new world, making it incredibly fitting.

How Bob Dylan Can Know The Cylons' Song If He's Human

Mind-Blowing Revelation: Legendary Music Icon Unveiled as a Secret Cylon in Battlestar Galactica

Starbuck's knowledge of "All Along The Watchtower" disproves the notion that only Cylons are familiar with the song. There was a fan theory suggesting that Starbuck's father might have been Daniel, the unfortunate thirteenth Cylon who possessed artistic talent. However, regardless of her heritage, the presence of the song in Starbuck's mind implies that higher beings, not the Cylons, were responsible.

This raises the possibility that Bob Dylan, like other musicians such as Jimi Hendrix, may not be a Cylon either. In the 1960s, Dylan was regarded as a prophet, a title he vehemently rejected. Similarly, Starbuck was considered an angel by Leoben Conoy but rejected that role. However, in the finale of Battlestar Galactica, Starbuck utilized the song's numerical references to guide the Fleet back to Earth, fulfilling her celestial destiny.

Does Bob Dylan's Song Prove Humanity Is Doomed After BSG's Ending

Mind-Blowing Revelation: Legendary Music Icon Unveiled as a Secret Cylon in Battlestar Galactica

In the epilogue of the Battlestar Galactica finale, the characters Six and Baltar contemplate the cyclical nature of evolution. They observe the similarities between our world's decadence, excessive consumerism, and the technological chaos that plagued Caprica and Kobol before their downfall. It remains uncertain if history will repeat itself, but the inclusion of Jimi Hendrix's rendition of "All Along the Watchtower" in a montage depicting advancements in robotics seems to confirm the inevitable fate of humanity.

The idea of humanity's downfall aligns with Igor Meniker's theory regarding Bob Dylan's "All Along the Watchtower". Meniker suggests that the song symbolizes an infinite loop, with the line "And the wind began to howl" seamlessly leading into the opening line "There must be some kind of way out of here". According to Meniker, this connection between the adverse conditions and the Joker's desire to escape creates the loop. The recurrent use of the song throughout Battlestar Galactica, along with its presence in the final montage showcasing the rise of machines, further supports the notion of an endless cycle.

Ronald D. Moore's Battlestar Galactica remake serves as a clear homage to the original series, highlighting the enduring relevance of the human vs. machine conflict even after almost three decades. By examining the destructive impact of technology and late-stage capitalism, Moore implies that our own world may face a similar fate as the Twelve Colonies of Kobol and Caprica depicted in both versions of Battlestar Galactica, unless there is a possible solution or escape from this impending doom.

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