A new report has unveiled the timeline for when Max's Harry Potter TV show will select a writer. The three finalists in contention for the job are Francesca Gardiner, Tom Moran, and Kathleen Jordan. These three candidates will further refine their pitches in the upcoming months, with a final decision expected to be made in June. It is also possible that more than one writer will be chosen for the project, as Max is open to exploring multiple Harry Potter adaptations.
Who Should Be The Writer For Max's Harry Potter Show?
Harry potter Final Battle Is Different In The Books - Who Should Be The Writer For Max's Harry Potter Show?
Each of the three reported finalists for head writer of Max's Harry Potter show possess valuable television experience that makes them suitable for the coveted position. Francesca Gardiner has previous experience with HBO, having worked as a consulting producer for Succession seasons 3-4 and as an executive producer/writer for His Dark Materials. She also has experience adapting fantasy novels and has worked on shows like Killing Eve and The Man In The High Castle.
Tom Moran, a British writer, has created The Devil's Hour and worked on The Feed for Prime Video. His experience also includes writing for Wild Bill. On the other hand, Jordan, the least experienced of the finalists, has only created Netflix's Teenage Bounty Hunters. Despite this, Gardiner stands out as the most qualified candidate and is arguably the frontrunner for the position of Harry Potter showrunner. The final decision will be made in June, revealing who will ultimately get the job.
The Harry Potter show is expected to debut on Max in 2026, according to Warner Bros. Discovery CEO David Zaslav.
Source: Deadline
Editor's P/S:
As a Harry Potter enthusiast, the announcement of a potential TV series adaptation has sparked both excitement and anticipation. The selection of the show's writer is a crucial decision that will shape the narrative and overall quality of the project. While all three finalists possess impressive experience in television, Francesca Gardiner's extensive work in fantasy adaptation stands out as a strong qualification for this particular role. Her previous involvement in critically acclaimed shows like "His Dark Materials" and "The Man in the High Castle" demonstrates her ability to translate complex literary worlds to the screen.
Nonetheless, the possibility of selecting multiple writers for the project intrigues me. A collaborative approach could allow for a richer and more diverse exploration of the Harry Potter universe. By combining the talents of different individuals, the show could capture the essence of the books while also introducing fresh perspectives and interpretations. The final decision will undoubtedly be a difficult one, but it is clear that the potential for a captivating and groundbreaking Harry Potter TV series is immense.