Martin Scorsese's Annotated Guide: The Perfect Double Features for His Movies
Discover the cinematic genius of Martin Scorsese through his meticulously curated list of companion films Immerse yourself in the world of this renowned cinephile and explore the perfect double features for his iconic movies
Summary
Scorsese's Letterboxd list reveals his love for cinema, featuring companion movies from a wide range of genres and time periods.
Scorsese's selection of films in the list showcases his expertise as a film scholar, featuring lesser-known choices that highlight his profound understanding of the subject.
In his latest masterpiece, Killers of the Flower Moon, Scorsese skillfully incorporates cinematic elements that not only exhibit his adoration for timeless creations but also exemplify his talent for reinventing them.
Martin Scorsese has curated a list on Letterboxd, detailing the perfect double-features to accompany his films. The celebrated filmmaker, known for his iconic movies like Taxi Driver and Raging Bull, shares a collection that spans almost a century of cinema. From classics like The Last of the Line from 1914 to more recent films like Lourdes from 2009, Scorsese offers a wide range of suggestions. Specifically, for his latest work, Killers of the Flower Moon, he recommends six companion films: The Heiress (1949), The Last of the Line (1914), The Lady of the Dugout (1918), Blood on the Moon (1948), Red River (1948), and Wild River (1960). These films, according to Scorsese, perfectly complement the viewing experience of his latest masterpiece.
What The Letterboxd List Says About Martin Scorsese’s Work
Scorsese's selection of films on his list highlights the vast range and depth of his cinematic appreciation. Among his choices are lesser-known films like "A Kid for Two Farthings" and "9 Variations on a Dance Theme," which demonstrates that Scorsese is not only an exceptional director but also a committed film scholar.
This cinephile background is evident in Scorsese's recent work, particularly in "Killers of the Flower Moon." Despite its $200 million budget, this crime drama manages to capture the essence of a classic Western. Scorsese skillfully incorporates cinematic elements from the time period in which the story is set. The film opens with text-on-screen that mimics the fonts used in silent film title cards, creating a nostalgic feel. Later on, scenes resembling archival footage are presented in black-and-white, further immersing viewers in that era.
Scorsese's passion for cinema evident in his Letterboxd list is reflected in his movie career, as seen in Killers of the Flower Moon. This influence can be observed both explicitly and subtly. Exploring Scorsese's cinematic inspirations provides a fresh perspective on timeless works like The Last Waltz, Taxi Driver, and Raging Bull.
Check Out Martin Scorsese's Full Companion List
Martin Scorsese Movies | Companion Movies |
|---|---|
Killers of the Flower Moon (2023) | The Heiress (1949) The Last of the Line (1914) The Lady of the Dugout (1918) Blood on the Moon (1948) Red River (1948) Wild River (1960) |
Personality Crisis: One Night Only (2022) | Moulin Rouge (1952) |
The Irishman (2019) | The Day of the Jackal (1973) Touchez Pas au Grisbi (1954) Rififi (1955) |
Rolling Thunder Revue: A Bob Dylan Story (2019) | Close-Up (1990) |
Silence (2016) | Monsieur Vincent (1947) Lourdes (2009) |
The 50 Year Argument (2014) | The Taking of Power by Louis XIV (1966) |
The Wolf of Wall Street (2013) | Sweet Smell of Success (1957) |
George Harrison: Living in the Material World (2011) | The River (1951) |
Public Speaking (2010) | The Emperor’s Naked Army Marches On (1987) |
Hugo (2011) | The Magic Box (1951) A Kid for Two Farthings (1955) |
A Letter to Elia (2010) | Kyoto, My Mother’s Place (1991) |
Shutter Island (2010) | Out of the Past (1947) |
Shine a Light (2008) | 9 Variations on a Dance Theme (1967) The Inauguration of the Pleasure Dome (1954) |
The Departed (2006) | Ashes and Diamonds (1958) |
No Direction Home: Bob Dylan (2005) | Jazz on a Summer's Day Jazz on a Summer’s Day (1959) |
The Aviator (2004) | The Appointment (1981) |
Gangs of New York (2002) | Park Row (1952) |
Bringing Out the Dead (1999) | Ordet (1955) |
Kundun (1997) | The Horse Thief (1986) |
Casino (1995) | The Wild Bunch (1969) |
The Age of Innocence (1993) | The Leopard (1963) |
Cape Fear (1991) | The Night of the Hunter (1955) |
Goodfellas (1990) | Ocean’s Eleven (1960) Jules and Jim (1962) |
The Last Temptation of Christ (1988) | Accattone (1961) |
Life Lessons (1989) | Eva (1962) |
Made in Milan (1990) | People Will Talk (1951) |
The Color of Money (1986) | Il Sorpasso (1962) |
After Hours (1985) | The Inside Story (1948) Getting Gertie’s Garter (1945) Up in Mabel’s Room (1944) |
The King of Comedy (1982) | Station Six-Sahara (1963) |
Raging Bull (1980) | On the Waterfront (1954) Force of Evil (1948) Gertrud (1964) Rocco and His Brothers (1960) |
The Last Waltz (1978) | The Tales of Hoffmann (1951) |
New York New York (1977) | Blue Skies (1946) The Man I Love (1946) Love Me or Leave Me (1955) |
American Boy: A Profile of Steven Prince (1978) | The Joker Is Wild (1957) |
Taxi Driver (1976) | Murder by Contract (1958) |
Alice Doesn’t Live Here Anymore (1974) | Take Care of My Little Girl (1951) |
Italianamerican (1974) | Portrait of Jason (1967) |
Mean Streets (1973) | Before the Revolution (1964) |
Boxcar Bertha (1972) | Guns Don’t Argue (1957) |
Who’s That Knocking at My Door? (1967) | Shadows (1958) |
Source: Martin Scorsese/Letterboxd
