Reflecting on Madame Web, star Dakota Johnson gave a characteristically honest explanation of why she thinks Sony's latest Marvel movie didn't work and what's causing superhero fatigue - and she's right on both counts. Dakota Johnson has previously hinted at behind the scenes turmoil for Madame Web, having previously mentioned Madame Web's script underwent major changes. While this isn't always a red flag for a movie, those statements coupled with more recent revelations regarding the movie's production could indicate that these changes were part of the problem.
Dakota Johnson's comments on Madame Web touch on a subject that has been discussed before with superhero movies - namely, the meddling of outside forces and how they affect the final product. Johnson's commentary about how these issues can affect superhero movies' ability to connect with an audience hold weight based on several previous superhero movie releases, and touch upon an issue that the genre needs to contend with going forward to ensure its continued success.
Superhero Movies Being Too Formulaic Is Hurting The Genre
Dakota Johnson Explained How Committee Decisions Hurt Madame Web
Dakota Johnson as Cassandra Web on the Train in Madame Web - Dakota Johnson Explained How Committee Decisions Hurt Madame Web - Superhero Movies Being Too Formulaic Is Hurting The Genre
In a recent chat with Bustle, Dakota Johnson talked about how movie studios sometimes prioritize following a certain formula over focusing on the artistic value of a film. She expressed concern that this approach can hinder the creative vision of a movie's team. Johnson's thoughts on this matter are shared below:
Films are typically made by a filmmaker and a team of artists, not by committees. Art does not thrive when too many people are involved in the decision-making process. It's important to trust the vision of the creators rather than relying solely on numbers and algorithms. Audiences are discerning and can always tell when something feels inauthentic.
Johnson's remarks about executives doubting audience intelligence are especially relevant to Madame Web. The film has faced criticism for talking down to viewers, with instances of characters directly explaining the plot, even to a pet cat.
Johnson believes that part of the issue lies in certain individuals trying to take control of a movie's production. She expressed her thoughts by stating, "Having too many people controlling a film is a major problem. It's not about art when it's about control and power."
Risk Taking Doesn't Always Mean Good Superhero Movies, But It's Necessary
Dakota Johnson has firsthand experience with the negative impact of power struggles over creative control in a movie. She has openly talked about how disagreements over creative decisions in the Fifty Shades series affected the final outcome of the movie. Just like Madame Web, the Fifty Shades movie received unfavorable reviews from critics.
Successful Superhero Movies Like Guardians Of The Galaxy Were Big Risks
Rocket Raccoon and Groot in Guardians of the Galaxy Vol. 3 - Successful Superhero Movies Like Guardians Of The Galaxy Were Big Risks - Risk Taking Doesn't Always Mean Good Superhero Movies, But It's Necessary
Dakota Johnson made a valid point about studios taking chances on creative teams, but these risks do not always lead to success. For instance, in the case of Eternals, director Chloe Zhao had full creative control over the movie, yet it did not resonate with audiences as strongly as Marvel had hoped.
On the other hand, projects that may have seemed risky, such as Guardians of the Galaxy, have turned out to be massive hits. If Marvel had not taken a chance on a film featuring obscure characters like Rocket Raccoon, directed by someone new to the MCU, the landscape of superhero movies could have been very different. Elements like the movie's curated soundtrack and unique style have influenced other superhero projects to varying degrees of success.
Will Marvel And DC's Upcoming Movies Avoid Design By Committee?
Despite facing harsh criticism, Madame Web took some risks that displayed potential. The concept of a psychological thriller featuring a Marvel character as a horror antagonist is intriguing. In certain scenes, such as the intense train sequence, the film effectively showcases how this premise could have succeeded. Unfortunately, the movie is weighed down by excessive Spider-Man allusions, leading to speculation that these references were added during script revisions.
The MCU And DCU Both Have Opportunities For Creator-Driven Projects
King T'Chaka's Black Panther in What If...? season 2 episode 2 - The MCU And DCU Both Have Opportunities For Creator-Driven Projects - Will Marvel And DC's Upcoming Movies Avoid Design By Committee?
Recent statements from Disney CEO Bob Iger have sparked concerns about the direction of the MCU, suggesting a shift away from riskier projects in theaters. However, there is still hope for more creative risks in Marvel's upcoming TV shows. For instance, Eyes of Wakanda, with Black Panther director Ryan Coogler as an executive producer, could pave the way for innovative storytelling.
On the DCU front, there is a sense of optimism. With James Gunn at the helm of Superman, we can expect a faithful adaptation to his creative vision, now that he holds a prominent role at DC. Additionally, DC is embracing creator-driven Elseworlds projects, such as the collaboration between JJ Abrams and Ta-Nehisi Coates on a new Superman venture. The inclusion of more unconventional characters like Swamp Thing, under the direction of James Mangold, signals a willingness to explore new storytelling avenues. It is hoped that these developments will lead to a bright future for both franchises, with studios avoiding creative interference that hindered projects like Madame Web.
Editor's P/S:
Dakota Johnson's candid assessment of "Madame Web" highlights the growing concerns surrounding superhero fatigue. Her insightful comments on the negative impact of formulaic storytelling and excessive committee involvement resonate deeply. The industry's focus on adhering to specific formulas has stifled creativity and disconnected movies from their potential to connect with audiences. Moreover, the power struggles and lack of trust in creators have resulted in uninspired and inauthentic films.
Johnson's observations also underscore the importance of risk-taking in the superhero genre. While not all risks lead to success, embracing unconventional concepts and trusting in bold creative visions can yield groundbreaking results. Marvel's success with "Guardians of the Galaxy" serves as a testament to the potential of taking chances. It is imperative that studios recognize the need for artistic freedom and empower creators to bring their unique perspectives to the forefront. By fostering a climate of creativity and collaboration, the superhero genre can break free from its current stagnation and regain its former glory.