Continuing the Melody: Unveiling the Successor to Bradley Cooper in A Star is Born
Maestro harmonizes with Bradley Cooper's A Star is Born, delving into the cost of art and adoring an artist Led by captivating performances from Cooper and Carey Mulligan, this fact-based film centered around conductor Leonard Bernstein offers depth and accessibility, transcending shallowness
Bradley Cooper's directorial debut "A Star is Born" set the stage for "Maestro," both films exploring the sacrifices of art and loving an artist. The newer film delves into the true story of conductor Leonard Bernstein, with powerful performances by Cooper and Carey Mulligan. While not always easy to access, the movie is anything but shallow.
Setting aside the movie itself, controversy arose over Cooper's prosthetic nose, which some felt portrayed a stereotype. Despite historical precedent and support from Bernstein's family, the image struck a nerve, but dissipates when watching Cooper embody the role.
Ultimately, much of the appeal of "Maestros" lies in the music of Bernstein, creating a mood and celebrating his artistry. Cooper goes the extra mile to capture the passion and dedication of a conductor, showcasing how Bernstein poured his body and soul into his work, with collateral damage from his creative explosion.
The film begins with the promising young conductor Bernstein romantically involved with another man, portrayed by Matt Bomer, who is also currently dealing with similar issues in Showtime's "Fellow Travelers."
Despite his previous demeanor, Bernstein seemed smitten when he encountered the gifted actress, Felicia Montealegre (Mulligan), sparking a relationship that caught many off guard, including his sister (Sarah Silverman).
As their family grew and their fame rose, Bernstein continued to pursue men, while Felicia, though hurt, often chose to overlook his actions, only expressing disapproval when he became "sloppy," as she described it.
Carey Mulligan and Bradley Cooper in "Maestro," which Cooper also directed.
Upon seeing Felicia and Mulligan's anguished expressions, "Maestro" emerges as a tale of the sacrifices and compromises made, showcasing the extent to which Bernstein depended on her to cultivate his musical brilliance, despite the emotional strain of his conflicting desires.
Cooper, along with Josh Singer ("Spotlight" and "First Man"), shares screenplay credit and skillfully mimics Bernstein's distinctive speaking style and deep, musical voice in "Maestro." The first half of the film is in black and white before transitioning to color, a technique that cleverly reflects the changing times. Despite the dramatic but somewhat uneventful lives of the Bernsteins, the movie unfolds at a leisurely pace, a quality that may be more noticeable once it moves from theaters to its primary home on Netflix. Nevertheless, Cooper and Mulligan's portrayal of their characters across decades is impressive, fostering a greater appreciation for Bernstein's contributions and complexities.
The involvement of Steven Spielberg and Martin Scorsese, among others, in the production of "Maestro" demonstrates its clear aspirations for awards. The creative freedom afforded by Netflix's pursuit of recognition is evident in the film's execution.
Cooper and Mulligan's performances deserve significant recognition, as does the movie itself. "Maestro" delves deeply into the contemplation of art, a theme that may not resonate with everyone. However, Cooper's genuine interest in exploring these complex issues proves that he is more than just a pretty face, regardless of the perspective one chooses to take.
"Maestro" premieres November 22 in select theaters and December 20 on Netflix. Its rated R.
