Behind the Scenes with Blue Eye Samurai: Drawing Inspiration from Clint Eastwood & Infusing Live Action Vibes into Animation

Article Overview

Blue Eye Samurai is set in 17th-century Japan and follows a mixed-race protagonist seeking revenge for her discrimination.

The star-studded voice cast of the series includes Maya Erskine, George Takei, and Kenneth Branagh. The creators strived for a distinct animation style that seamlessly combines traditional brushstrokes with 2D and 3D animation, resulting in a visually captivating experience.

Blue Eye Samurai is set in 17th-century Japan during a time when the country shut its borders to the outside world. Mizu, who is of mixed race, embarks on a mission to hunt down and seek retribution from the four white men who were present in Japan at the time of her birth, one of whom she believes to be her father. Having faced discrimination her whole life, Mizu conceals her true gender and her distinctive blue eyes as she sets off on her quest to locate and eliminate these men. Accompanied by a peculiar group of companions, Mizu journeys across Japan with her sole and violent objective in mind.

The creators of Blue Eye Samurai are Michael Green and Amber Noizumi. This Netflix animated series boasts an impressive ensemble of voice actors, including Maya Erskine, George Takei, Masi Oka, Cary-Hiroyuki Tagawa, Brenda Song, Darren Barnet, Randall Park, and Kenneth Branagh. Blue Eye Samurai consists of eight episodes, all of which are currently available for streaming.

Michael Green & Amber Noizumi Talk Blue Eye Samurai

Michael Green and Amber Noizumi were recently interviewed on our website, sharing exciting details about their latest adult animated series, Blue Eye Samurai. During the interview, Noizumi provided insight into the series' name, which was inspired by their daughter. Additionally, she delved into the impressive cast involved in the project. On the other hand, Green discussed the captivating visual style of the series and its cinematic influences. Furthermore, they hinted at their plans for multiple seasons, leaving audiences eager for more.

Our website showcases a true masterpiece, Amber, Michael, Blue Eye Samurai. Personally, I am absolutely enamored by this show. The animation is nothing short of stunning, captivating my senses. Moreover, the characters are brilliantly developed, possessing a profound level of complexity. The storytelling is so riveting that at times, I found myself completely forgetting that I was watching an animation. For those who are fans of Kill Bill, Warrior, or Game of Thrones, this remarkable series is undoubtedly a perfect fit for you. Inquisitively, Amber, I am curious to know how this exceptional show came to fruition.

Amber Noizumi: It only took 15 years.

Just 15 years.

Amber Noizumi explained that their inspiration for Blue Eye Samurai came from their mixed race background and the idea of feeling stuck between two worlds. They wanted to explore these feelings by creating a story set in a closed and homogenous Japan during its golden age. They wanted to imagine what it would have been like for people who looked different and were not allowed into that society. Amber also shared their personal connection to the character Mizu, as they are also of mixed race, with an Asian heritage. They expressed their excitement and admiration for the show, mentioning that they had never seen anything like it before. Finally, they asked Michael to visually describe Blue Eye Samurai.

Our goal with this animation was to create a truly immersive experience where viewers would forget they were watching an animated film. We wanted our artists to have complete creative freedom and produce the most visually stunning version possible. Additionally, our aim was to make the characters feel authentic and distinct, so that audiences would become emotionally invested in them as if they were watching renowned actors in live-action roles rather than simply hearing their voices.

The entire aesthetic of the project was built around the principles of live-action productions. Although our supervising director, Jane Wu, has a background in animation, she has also worked as a storyboard artist at the highest levels of live-action in projects like Marvel and Game of Thrones. We wanted to leverage our expertise in live-action and bring those insights into the world of animation. As a result, we unintentionally ended up creating something truly unique, despite the fact that every show claims to do the same.

Yeah, I completely agree. Once I started watching the show, I was immediately hooked and couldn't tear myself away. The cast, including Amber, Maya Erskine, George Takei, Masi Oka, Ming-Na Wen, Brenda Song, Randall Park, Kenneth Branagh, Stephanie Hsu, Mark Dacascos, Harry Shum Jr., and more, is absolutely fantastic. Could you discuss the process of bringing together such an incredible ensemble for Blue Eye Samurai and the significance of representation in the casting?

Amber Noizumi: Absolutely. Let me just say that it was a tremendous effort to bring this talented group together. We worked tirelessly, going above and beyond to win them over, surprising them with flowers and even creative proposals at their doorsteps. However, it turned out that they were all genuinely enthusiastic from the start. It required minimal persuasion because they were excited about the aspect of Asian representation that our project offered. Margery Simkin and Orly Sitowitz, our casting directors, played a crucial role in approaching these individuals, and they all readily agreed. People were eager to be a part of a story that authentically depicted Asian culture, and it's not something that has been widely explored. We consider ourselves extremely fortunate to have such incredible talents on board.

Michael, when we started working on Blue Samurai, it had a strong resemblance to a Clint Eastwood Western in the East. Can you share some of the cinematic influences that inspired the series?

We were heavily influenced by various sources. When we first met Jane Wu, our Supervising Director, we bonded over our shared love for Zatoichi. Our conversations expanded to include Lone Wolf and Cub. This provided us with an opportunity to delve deeper into the series, purchasing and thoroughly reading through the entire collection. Of course, we were also inspired by Kurosawa movies, as well as Mizoguchi.

One particular influence was Amber Noizumi's Lady Snowblood.

Michael Green: Lady Snowblood, Onibaba, and Kuroneko by Shindo were films that we admired and enjoyed so much that we even named one of our characters, Heiji Shindo, after him. We were also inspired by Shindo Dojo. We incorporated influences and borrowed shots from these great films as Easter eggs. If people end up comparing us to other works or noticing any borrowed elements...

Amber Noizumi: Or even if we borrow songs...

Michael Green: ... songs borrowed-

Amber Noizumi: ... the Kill Bill reference.

Michael Green expresses gratitude towards those who accuse them of stealing from geniuses, while praising the unique animation style of the show Blue Eye Samurai. He describes it as a blend of beautiful painted brushstrokes with 2-3D animation, clarifying that it is not an anime but an adult animation. He also mentions collaborating with Blue Spirit studios and the challenges they faced in bringing the show to life.

Amber Noizumi: Our intention was to create a show that was unlike anything seen before. Right from the start, we made it clear that we didn't want it to be anime. While we all have a deep appreciation for anime, we aimed to reach a wider audience. We wanted to show that our show wasn't just for anime enthusiasts, but for a whole new viewership. It took some effort to strike the perfect balance and develop the right style. Working alongside our supervising director, Jane Wu, and numerous talented individuals, as well as collaborating with Blue Spirit, we managed to find that balance within the given guidelines. I believe we achieved our goal.

Michael Green: We must acknowledge the efforts of our Production Designer, Toby Wilson.

Amber Noizumi: Definitely, everyone approached it with a great deal of passion.

Michael Green: Our character designer, Brian Kesinger, and one of our supervising animators, Mike Greenholt, dedicated themselves to working closely with Blue Spirit, ensuring that every detail was perfect. They focused on clearly conveying the emotions through facial expressions, as well as capturing the precise movements of Japanese women. It was important for us to accurately depict their unique way of walking, ensuring the alignment of their feet.

Amber Noizumi: The kimono sleeves have a specific direction.

Michael Green: Absolutely, there have been countless discussions emphasizing that kimonos are distinct from bathrobes due to their internal structure and layering. The enthusiasm surrounding this topic was overwhelming, and Blue Spirit was fully engaged.

I was amazed by the animation as it reminded me of rotoscope with its smooth camera movements and floating elements. Michael Green clarified that they actually used previs and camera lensing techniques, incorporating the language of live action film. Nonetheless, I appreciate the compliment.

Amber Noizumi: Thank you.

Michael, I wanted to inquire about Jane Wu, who is truly remarkable. She served as the supervising director and producer for Blue Eyes Samurai. Her experience includes working as a story artist on notable projects such as The Avengers, Guardians of the Galaxy, Mulan, and Game of Thrones. Additionally, she has previous experience directing animation. Could you share how you managed to bring her back into the realm of animation, as well as discuss the collaborative process of finding the ideal tone for Blue Eyes Samurai?

Michael Green recounted how Netflix expressed interest in their script and wanted to acquire it, but required a director's approval. As they were more familiar with live action directors, they sought guidance from the head of animation, Mike Moon, who introduced them to Jane Wu. Despite wanting additional options, they were convinced that Jane Wu was the ideal choice due to her unique background and strong appeal. Upon meeting, the three of them instantly found themselves on the same page, forming a harmonious collaboration. They discussed their favorite references and examined concept art images that could serve as inspiration. They also made a commitment to maintain the original artistic style, with Wu emphasizing the importance of preserving particular brushstrokes. This shared vision solidified their bond and transformed them into a cohesive artistic family.

Mizu, portrayed by Maya Erskine, is an incredible and relatable character in this series. Her uniqueness stems from her experiences of feeling marginalized and her desire for revenge or wholeness. Maya's portrayal of Mizu in PEN15 is truly captivating, as she brings a mix of comedy and sadness to the character, particularly in her struggle with her mixed-race identity. Maya's ability to embody these complexities adds depth to Mizu and makes her the perfect choice for the role.

We are eager to support Mizu in her pursuit of vengeance. However, we also hope to see her discover self-acceptance, thereby reducing her urge to cause harm to others due to her intense anger. It would be wonderful if she can form friendships and allow herself to become more vulnerable. Ultimately, our aim is to gradually infuse Mizu with more warmth and humanity, transforming her from a mere instrument of destruction.

On another note, Michael, would you mind discussing Mizu's connection with Ringo, portrayed by Masi Oka?

Michael Green's words made me think about how we unintentionally turned her into a mini Batman. You know how Batman is fueled by his past trauma and channels it into intense violence? Well, it seems like she's heading down a similar path. However, what makes Batman appealing is when he teams up with unexpected partners. Robin, for example, brings out the best in Batman. We might have given her the nickname "Ringo," although she's obviously a completely different character.

Amber Noizumi: Hold on a moment...

Michael Green: Hold on a moment. The comparison loses its effectiveness quickly. The truth is, we haven't actually discussed that aspect. It was simply our understanding that the most enjoyable thing about a character with a strong drive is to test their limits, as they often struggle to find pleasure. And then along comes someone who is marginalized in their own way, seen as different. They are disabled, born without hands, yet their spirit remains unyielding and optimistic, much like Masi Oka in real life, who refused to let his condition define him.

"Born without hands? I'll find a way to adapt. I can still excel as a chef. I can figure things out." However, they are aware of how others perceive them. So when they encounter Mizu, who is seen as a badass but also marginalized in their community, although not disabled, they instantly view them as a hero. "Oh my goodness. You embody everything I aspire to be. Teach me your ways," they exclaim. And in response, Mizu could say, "Please keep your distance. I have neither the time nor the patience for you." It was a delight to have this character find their way into Mizu's life and be by their side. Writing those scenes brought us pure joy and came naturally, evoking laughter.

My final question for you guys is regarding the progress of the animation. Are you currently working on season two? In all honesty, how much planning have you done for future seasons, and how many seasons would you like to include in this story?

Amber Noizumi: We have plenty of exciting stories that we're eager to create. However, we're not currently working on season two. We're holding off until season one premieres and we gauge its success. It's essential for everyone to watch it, starting November 3rd, as that will determine whether there will be a season two.

Michael Green: Yes, which we have.

Amber Noizumi: Yeah.

Michael Green: It has been meticulously planned. Season two has a formally approved outline. Deep down, we aspire to narrate a minimum of three to four seasons. We possess an understanding of how this story concludes. We are genuinely enthusiastic about carrying on. Additionally, we are aware of the spinoff series-

Amber Noizumi: A spinoff series, focusing on Ringo-

Michael Green: We know exactly where this goes in the future. We are just hoping that the audience for original content shows up and necessitates further storytelling.

About Blue Eye Samurai

Taking place during Edo-period Japan (1603-1868), the tale of "Blue Eye Samurai" revolves around Mizu (Maya Erskine), a samurai of mixed race who has faced discrimination throughout her entire existence due to her biracial background. Mizu resorts to wearing tinted glasses as a means of concealing her striking blue eyes, thereby safeguarding her Caucasian heritage in secrecy.

Blue Eye Samurai is available now on Netflix.

Editor's P/S

As a Gen Z netizen, I am thrilled to see the release of Blue Eye Samurai, an animated series that draws inspiration from Clint Eastwood and infuses live-action vibes into its animation. The show is set in 17th-century Japan and follows a mixed-race protagonist seeking revenge for her discrimination. The star-studded voice cast includes Maya Erskine, George Takei, and Kenneth Branagh.

I appreciate the creators' efforts to create a distinct animation style that seamlessly combines traditional brushstrokes with 2D and 3D animation. The result is a visually captivating experience that sets Blue Eye Samurai apart from other animated series. The character designs are unique and memorable, and the animation is fluid and expressive. The action sequences are particularly well-done, with a sense of weight and impact that is often lacking in animated shows.